Database / Artworks
Artworks

Design for point of sale
Ladislav Sutnar
Book with photo-illustrations and drawings; gold cloth-backed boards · 1952
Art Institute of Chicago

Woven Fabric Sample
Anni Albers
Jute and gold metallic thread · 1951
Museum of Modern Art

Fabric Sample
Anni Albers
Linen and gold metallic thread · 1951
Museum of Modern Art

Fabric Sample
Anni Albers
Linen and gold metallic thread · 1951
Museum of Modern Art

Sample (Drapery Fabric)
Dorothy Liebes
Cotton, metal foil laminated in cellulose film, cellulose film with golden metallic coating, silk, wool, and metal foil laminated in cellulose acetate film, combined twill weaves · 1950
Art Institute of Chicago

Duet
Ellen Lanyon
Color aquatint and etching, with gold leaf, on stiff, thick cream wove paper · 1950
Art Institute of Chicago

Panel
Luigi Bevilacqua
Silk; cut, uncut, voided velvet with additional patterning wefts in cut gold strips wound around silk core; against twill weave foundation · 1950
Art Institute of Chicago

Panel
Luigi Bevilacqua
Silk; cut, uncut, voided velvet with additional patterning wefts in cut gold strips wound around silk core; against twill weave foundation · 1950
Art Institute of Chicago

Number 241
Anne Ryan
Cut-and-pasted colored paper, cloth, string, and gold foil on paper on fabric on board · 1950
Museum of Modern Art

Wall-Covering Material
Anni Albers
Jute and gold metallic thread · 1950
Museum of Modern Art

Model for the Esso Project, Radio City, New York
Naum Gabo
Plastic and gold wire mesh · 1949
Tate

Upholstery Fabric
Yvonne Palmer Pacanovsky Bobrowicz
Wool, cotton, rayon, silver colored metallic strip encased in gold colored synthetic film, broken, combined twill weave · 1949
Art Institute of Chicago

Panel (Drapery Fabric)
Yvonne Palmer Pacanovsky Bobrowicz
Wool, cotton, rayon, fiberglass, silver colored metallic strip encased in gold colored polyolefin film, broken combined twill weave · 1949
Art Institute of Chicago

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman (Saint Glinglin: Preceded by a New Version of Stone Mouth and Mingled Time)
Mary Reynolds
Full green morocco binding; horizontal onlay across covers and spine; broken china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in · 1949
Art Institute of Chicago

Number 269
Anne Ryan
Cut-and-pasted colored paper, cloth, and gold leaf on paper · 1949
Museum of Modern Art

Ocean Undulations Revealing Particles of Sand and Coral
Barbara Aubin
Gouache and watercolor, with brush and black ink, gold and silver metallic paint, and touches of pen and black ink on ivory wove paper · 1948
Art Institute of Chicago

Elevated Nite
Ellen Lanyon
Tempera and gold and silver leaf, with incising, on board prepared with a white gesso ground · 1947
Art Institute of Chicago

Le Diable au corps: Roman
Mary Reynolds
Chêneuarter vellum binding with green paper; morocco spine label with author and title stamped in gold; decorated endpapers; original paper covers bound in · 1947
Art Institute of Chicago

Le Foyer des artistes
Mary Reynolds
One-quarter vellum binding, sides covered with red paper speckled with gold stars; original paper covers bound in · 1947
Art Institute of Chicago

Exercices de style
Mary Reynolds
Quarter black calfskin binding with marbled paper; calfskin label on cover with title stamped in gold; author stamped in gold on spine; top edge colored; marbled endpapers; original paper covers bound in · 1947
Art Institute of Chicago

Wristwatch Face
Nathan George Horwitt
White gold with enameled dial · 1947
Museum of Modern Art

Le surmâle: Roman moderne (Superman: A Modern Novel)
Mary Reynolds
Full black morocco binding with onlay; metal corset stay attached to spine; title stamped in gold on spine; mauve endpapers printed with wire-mesh pattern; original paper covers bound in · 1945
Art Institute of Chicago

Ubu cocu, restitué en son intégrité tel qu'il a été représenté par les marionnettes du Théâtre des Phynances (Ubu Cocu: Restored to Its integrity as It was Presented by the Puppets of the Théâtre des Phynances)
Mary Reynolds
Fill tan calfskin with leather-covered cutouts; goatskin onlays spelling Ubu and Cocu; gold stamping; gold speckled, yellow endpapers · 1944
Art Institute of Chicago

Loin de Rueil (Skin of Dreams)
Mary Reynolds
Full red morocco binding with raised bands; author and title stamped in gold on spine; endpapers of trial proofs for Marcel Duchamp's 1935 cover of Minotaure; original paper covers bound in · 1944
Art Institute of Chicago