Database / Artworks
Artworks
Prints from the Popol-Vuh
Carlos Mérida
Lithograph in black, red-orange, gold-yellow, blue and fuschia on cream wove paper · 1943
Art Institute of Chicago
Prints from the Popol-Vuh
Carlos Mérida
Lithograph in black, gold-yellow, pink, blue and orange-red on cream wove paper · 1943
Art Institute of Chicago
Pierrot mon ami: Roman
Mary Reynolds
Full blue morocco binding; author and title stamped in gold on spine; decorated covers and spine; original paper covers bound in · 1942
Art Institute of Chicago
Les temps mêlés - Gueule de Pierre, II: Roman
Mary Reynolds
Full tan morocco binding; gray inlays; author and title stamped in gold on spine; decorated endpapers; original paper covers bound in. · 1941
Art Institute of Chicago
La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts)
Mary Reynolds
Quarter vellum binding with white paper sides repeatedly stamped with an uppercase M in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in · 1941
Art Institute of Chicago
Trojan Horse
Dean Jackson Meeker
Screenprint in black on gold foil paper · 1940
Art Institute of Chicago
Myrna Loy
Wladyslaw Theodore Benda
Molded unbleached paper, glue, brass wire, varnish (Valspar or shellac), oil paint, Mandarin-red enamel ground, Japan lac, and gold leaf · 1940
National Portrait Gallery
La fin du Potomak
Mary Reynolds
One-quarter vellum binding; sides covered with gold-starred paper · 1940
Art Institute of Chicago
Anthologie de l'humour noir (Anthology of Black Humor)
Marcel Duchamp
Full brown, embossed goatskin with brown, embossed calfskin strap; gold stamping on spine; printed endpapers; brown-leather slipcase with paper-thin red cedar wood · 1940
Art Institute of Chicago
Le vrai visage du Marquis de Sade (The True Face of the Marquis de Sade)
Mary Reynolds
Full goatskin with calfskin inlays; diagonal false bands on spine with gold stamping; black endpapers and black-painted top edge · 1939
Art Institute of Chicago
Un rude hiver: Roman (A Hard Winter: Novel)
Mary Reynolds
Full gray morocco binding; leather covered raised panel with glass thermometer inset on spine; author and title stamped in gold on spine; doublures with onlays; top edge gilt; original paper covers bound in · 1939
Art Institute of Chicago
Les Enfants du limon: Roman (Children of Clay: Novel)
Mary Reynolds
Bound in combination full morocco leather with gold lettering, leather doublure margins; marbled paper end leaves; original covers bound in · 1938
Art Institute of Chicago
Design for the Tempest
Leonora Carrington
Opaque watercolor with gold and silver metallic paint on ivory wove paper · 1937
Art Institute of Chicago
La chevelure (The Hair)
Yves Tanguy
Gold foil wrapper with a collage of black paper, photomontage, and gold ink · 1937
Art Institute of Chicago
Les chevaliers de la table ronde: Pièce en trois actes (The Knights of the Roundtable: A play in three acts)
Mary Reynolds
Quarter vellum with white paper decorated with fleurs-de-lis; endpapers decorated with gold fleurs-de-lis; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by Cocteau · 1937
Art Institute of Chicago
Ubu enchainé (Ubu Enchained)
Mary Reynolds
Full tan calfskin with leather-covered cutouts; goatskin onlays spelling Ubu; gold stamping; gold-speckled, yellow endpapers · 1937
Art Institute of Chicago
Chêne et chien: roman en vers
Mary Reynolds
Full goatskin with dotted-blue-calfskin onlays and gold stamping; tan wove endpapers speckled with gold leaf · 1937
Art Institute of Chicago
Les yeux fertiles (Fertile Eyes)
Mary Reynolds
Full ostrich with gold stamping on black calfskin; gold-speckled lilac endpapers; original paper covers bound in · 1936
Art Institute of Chicago
Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days)
Mary Reynolds
Quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in · 1936
Art Institute of Chicago
Les Derniers jours: Roman (The Last Days: Novel)
Mary Reynolds
Full black calfskin with raised bands and gold stamping; agate-marbled laid paper endpapers · 1936
Art Institute of Chicago
Ovide Daphnis et Chloe
Aristide Maillol
blocked on ribbon, linen (material), gold leaf, paper · 1935
Rijksmuseum
Ubu roi: Drame en cinq actes (King Ubu: A Play in Five Acts)
Mary Reynolds
Full tan morocco binding; boards die cut in the shape of U; onlays on spine in shape of B; black silk endleaves; crown stamped in gold on front endleaf; author stamped in gold on back endleaf; gilt edges; original paper covers bound in · 1935
Art Institute of Chicago
Ovide Daphnis et Chloe
Aristide Maillol
blocked on ribbon, linen (material), gold leaf, paper · 1935
Rijksmuseum
The Two Wrestlers
Aristide Joseph-Bonaventure Maillol
Pastel, with brush and gold metallic paint, on tan wove paper · 1934
Art Institute of Chicago