Artworks

Mary Reynolds

Full brown morocco binding with die cut on front cover; title stamped in gold on cover; author stamped in gold on spine; decorated endpapers; doublures; top edge gilt; original paper covers bound in · 1934

Mary Reynolds

Full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in · 1934

Henri Matisse

Book with letterpress in black and red and 29 etchings in black on cream wove Japanese vellum, bound in brown leather and brown paperboard cover with gold stamped spine · 1932

John Kane

Oil and gold paint on paper over board · 1932

Mary Reynolds

Quarter morocco binding with brown paper; reptile-skin inlays; author and title stamped in gold on spine; original paper covers bound in · 1931

Pablo Picasso

Text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately. · 1931

Paul Fehér

Steel, brass; silver and gold plating, cotton velveteen · 1930

Mary Reynolds

Heavy boards covered with calf, green outside and black inside; on the front and back are onlays of frogskin; inside boards are reinforced with secondary boards in green with gold lettering, with facing leaves of decorated paper simulating frog skin; the spine is black calf with vertical lines in blind stamping; original paper covers bound in · 1930

Mary Reynolds

Quarter binding in vellum, sides and end papers covered with paper printed with a black and white design in pochoir with paper; author and title stamped in gold on spine; original paper covers bound in · 1930

Mary Reynolds

Vol. 1: full red morocco binding; "sten" stamped in gold on spine; decorated endpapers; top edge gilt; Vol. 2: full vellum binding; "dhal" stamped in gold on spine; decorated endpapers; top edge gilt; Paper-covered slipcase with morocco trim; lined with felt · 1929

Mary Reynolds

One-half brown Nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in · 1929

Cedric Gibbons

gold · 1928

George Stanley

gold · 1928

Gabriel Argy-Rousseau

glassblowing on glass, gold leaf · 1928

F. Schumacher & Co

Silk, wild silk and gold gilt strip wound around silk and wild silk fiber core, warp-float faced satin weave with supplementary brocading wefts tied in twill interlacing and self-patterned by ground wefts tied by supplementary binding warps in plain weave backed by twill interlacing · 1928

Victor de Vasarely

Serigraph in black and gold on white wove paper · 1928

Mary Reynolds

One-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in · 1928

Peter Müller-Munk

Sterling silver, gold, and ebony · 1927

Man Ray (Emmanuel Radnitzky)

Brass, silver, and gold; Case: wood, faux-leather, silk, cotton, iron alloy hinges, and copper alloy clasps · 1927

Eugène Atget

Developing-out-paper print (gold-toned), printed 1981 by Chicago Albumen Works · 1927

Marie Zimmermann

Gold, amber, and opals · 1926

Mary Reynolds

Full vellum binding with star-shaped cutouts on front and back covers with black threads; title on front cover in black ink; author stamped in gold on spine; maroon endpapers; original paper covers bound in · 1926

Eugène Atget

Albumen silver print (gold-toned), printed 1978 by Chicago Albumen Works · 1926

Paul Fehér

Steel, brass; silver and gold plating, cotton velveteen · 1925