Database / Artworks
Artworks
Peasant Women from the Region of the Eaux-Bonnes
Eugene Delacroix
Watercolor, with touches of gouache, over traces of graphite, on cream wove paper, laid down on cream wove paper · 1845
Art Institute of Chicago
In the Kitchen
Charles Samuel Keene
Pen and brown ink, with touches of white gouache, over traces of graphite, on ivory wove paper, laid down on card · 1843
Art Institute of Chicago
The Entrance to the Harbor of Marseilles
William Callow
Watercolor with touches of gouache, over traces of graphite, and scraping, on off-white wove paper · 1838
Art Institute of Chicago
Napoleon
Nicolas Toussaint Charlet
Watercolor and gouache, over traces of graphite, on tan wove paper · 1835
Art Institute of Chicago
Rustic Street Scene
Elizabeth Murray
Pen and brown ink and brush and brown wash, heightened with white gouache, over traces of graphite on brown wove paper · 1831
Art Institute of Chicago
Environs of Windsor Castle
Thomas Shotter Boys
Watercolor, with touches of scraping, heightened with white gouache, over traces of graphite, on tan wove paper · 1823
Art Institute of Chicago
Waterfall
Moreau
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
Fire in the Port
Moreau
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
Waterfall
Louis Gabriel
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
Fire in the Port
Louis Gabriel
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
Waterfall
Louis Gabriel Moreau
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
Fire in the Port
Louis Gabriel Moreau
Gouache, over traces of graphite, on cream laid paper, edge mounted on board · 1788
Art Institute of Chicago
The Changeling
Henry Fuseli
Charcoal and brush and gray wash, heightened with touches of white gouache, over traces of graphite, on ivory laid paper, laid down on white tissue paper · 1775
Art Institute of Chicago
Figures on a Country Road
Louis Gabriel Moreau
Gouache, over traces of graphite · 1765
The Metropolitan Museum of Art
Shepherdess near a Waterfall
Louis Gabriel Moreau
Gouache, over traces of graphite · 1765
The Metropolitan Museum of Art
Assumption of the Virgin
Francesco Bartolozzi
Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on cream laid paper · 1747
Art Institute of Chicago
Women Drying Selves by Pond
William Taverner
Watercolor and gouache, over traces of graphite, on tan laid paper, laid down on tan laid paper · 1740
Art Institute of Chicago
Jupiter and Mnemosyne
Jacob de Wit
Pen and brown and black ink and brush and brown and gray wash, with watercolor, heightened with white gouache, over traces of graphite on ivory laid paper · 1733
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
The Wild Man
Conrad Meyer
Pen and black and white ink, brush and brown wash, heightened with white gouache, over traces of graphite · 1649
The Metropolitan Museum of Art
Ornamental Decoration
Charles Errard, II
Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on buff laid paper, laid down on ivory laid paper · 1626
Art Institute of Chicago
Ornamental Decoration
Charles Errard
Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on buff laid paper, laid down on ivory laid paper · 1626
Art Institute of Chicago
The Coronation of the Virgin
Ercole Setti
Pen and brown iron-gall ink and brush and brown wash, heightened with white gouache, over traces of graphite, on blue laid paper, squared in graphite for transfer, with extraneous traces of colored oil paints · 1575
Art Institute of Chicago