Database / Artworks
Artworks
Port of the Alhambra from the Dario
Richard Ford
Graphite, heightened with white gouache, on gray wove paper · 1800
Art Institute of Chicago
Bank of a River with Mill
William Turner
Graphite, heightened with white chalk, on blue laid paper · 1798
Art Institute of Chicago
Stockade Near Shore
John Varley
Charcoal and graphite, heightened with white chalk, on blue wove paper · 1798
Art Institute of Chicago
Phaedre, Having Declared Her Passion, Attempts to Kill Herself with the Sword of Hippolytus
Anne-Louis Girodet de Roussy-Trioson
Pen and brush and black and brown wash and graphite, heightened with white gouache on cream laid paper · 1796
Art Institute of Chicago
Thirius de Pautrizel
Jacques-Louis David
pen and gray ink with gray wash and pale brown wash (on the face) over touches of graphite, heightened with white gouache on laid paper, laid down on an old circular mount · 1795
National Gallery of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art
Classical Landscape
Pierre Henri
black gouache and brush and gray wash, over black chalk and graphite, heightened with white gouache · 1779
Cleveland Museum of Art
Birth of the Virgin
Giuseppe Cades
Pen and brown ink with pen and brown wash, over traces of graphite, heightened with white gouache (discolored), on ivory laid paper · 1779
Art Institute of Chicago
Design for a Funeral Monument
François Boucher
black chalk and stumping with touches of graphite, heightened with white, on brown laid paper · 1767
National Gallery of Art
A Mythological Scene with Sea Gods
Giuseppe Bernardino Bison
brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper · 1762
National Gallery of Art
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Woman at Spinet
Angelica Kauffman
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Woman at Spinet
Angelica Kauffmann
Graphite, heightened with white chalk, on blue prepared ground, on off-white wove paper, tipped onto ivory wove paper · 1761
Art Institute of Chicago
Study of Valet with Coffee Pot
François Boucher, French
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago
Study of Valet with Coffee Pot
François Boucher
Red chalk, with black chalk, and touches of graphite, heightened with white chalk, on buff laid paper · 1734
Art Institute of Chicago
The Rest on the Flight into Egypt
Claude Lorrain
pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper · 1682
National Gallery of Art
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri (Rome, 1634 – Rome, 1689)
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri, Italian
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
The Madonna and Child in Glory Appearing to a Kneeling Young Man
Ciro Ferri
Black chalk and brush and brown wash, incised with graphite, heightened with white gouache, on ivory laid paper, prepared with brown wash (recto); graphite or black chalk on ivory laid paper (verso) · 1655
Art Institute of Chicago
Study for the Archangel Gabriel
Nicolas Mignard
Red chalk and graphite, heightened with white chalk · 1615
The Metropolitan Museum of Art
The Madonna Enthroned with Saint John the Baptist and Saint John the Evangelist
Hans von Aachen
pen and brown ink with brown wash over traces of graphite, heightened with white gouache, incised throughout and verso reddened for transfer, on laid paper · 1589
National Gallery of Art
Study for the "Madonna of the Rosary"
Federico Barocci
Black chalk, with brush and brown wash, red chalk, and touches of graphite, heightened with white chalk and white gouache, on tan laid paper, squared in red chalk · 1589
Art Institute of Chicago