Database / Artworks
Artworks
Project for a Monument
Edward Pierce, the younger
Pen and brown ink, with brush and gray and brown wash, over traces of graphite, with gold paint in borders on ivory laid paper · 1690
Art Institute of Chicago
Jove Casts His Thunderbolts at the Rebellious Giants
Johann Michael Rottmayr
Oil on canvas · 1690
Art Institute of Chicago
Nymphs in a Wooded Grove
Juan Cristobal
Pen and brown ink, with brush and brown wash, on ivory laid paper, tipped on ivory wove paper · 1690
Art Institute of Chicago
Caudle Cup
Jeremiah Dummer
Silver · 1690
Art Institute of Chicago
Diana and Endymion
Johann Michael Rottmayr
Oil on canvas · 1690
Art Institute of Chicago
The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)
Pietro Antonio di Pietri
Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper · 1690
Art Institute of Chicago
Apollo Granting Phaeton Permission to Drive the Chariot of the Sun
Johann Michael Rottmayr
Oil on canvas · 1690
Art Institute of Chicago
Garden Party
Pierre Parrocel
Etching on ivory laid paper · 1690
Art Institute of Chicago
Wall with Hunting Designs
Grinling Gibbons
Pen and brown ink, with brush and gray wash, over graphite, on cream laid paper, tipped on buff wove paper · 1690
Art Institute of Chicago
Two Women Resting and Two Satyrs Dancing
Claude Gillot
Pen and brown ink, with traces of brush and brown wash, on buff laid paper, laid down on cream laid card, with blue laid paper border · 1690
Art Institute of Chicago
Virgin and Child
Flemish
Boxwood · 1690
Art Institute of Chicago
Beaker
R.H. Quaytman
Silver · 1690
Art Institute of Chicago
Mythological Birth of a God or Demi-God from a River
Jan Goeree
Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690
Art Institute of Chicago
Mythological Birth of a God or Demi-God from a River
Jan Goeree
Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690
Art Institute of Chicago
Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago
Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago
Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago
Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago
William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago
Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago
Sampler
Mercy Mackett
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago
Hilly Landscape with Cows and Shepherds in Foreground
Carlo Antonio Tavella
Pen and iron gall ink on cream laid paper · 1688
Art Institute of Chicago