Database / Artworks
Artworks
Studies of Lions
Eugene Delacroix
Graphite on cream laid paper · 1829
Art Institute of Chicago
Design for a Painted Porcelain Plate, Les Gémeaux (Gemini) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Sagitaire (Sagittarius) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled boarder in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Scorpion (Scorpio) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, white gouache, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Verseau (Aquarius) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, L'Écrevisse (Cancer) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, white gouache, red crayon, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Title Page Design for Le Zodiaque Travesti (Farcical Zodiac)
Jean Charles Develly, French
ceramics, drawing — brush and light brown wash, pink, tan watercolor, white gouache, pen and brown, black ink, red crayon, graphite on cream laid paper · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Capricorne (Capricorn) from le Zodiac Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Bélier (Aries) from Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown, black wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper, mounted on cream laid paper, bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Taureau (Taurus) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, La Vierge (The Virgin) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown/black ink, brush and brown/black wash, pink/tan watercolor, white gouache, graphite on cream laid paper, mounted on cream laid paper, ruled border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white gouache, red crayon, graphite on cream laid paper mounted on cream laid paper, bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, La Balance (Libra) from le Zodiaque Travesti (The Farcical Zodiac) Service
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, white gouache, pink, tan watercolor, red crayon, graphite on cream laid paper mounted on cream laid paper, image bordered in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Les Prunes et Pruneaux (Plums and Prunes) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and brown wash, graphite on cream laid paper; circular border in pen and brown ink · 1824
Cooper Hewitt, Smithsonian Design Museum
Three Studies of Wall Mirrors
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1822
Cooper Hewitt, Smithsonian Design Museum
Study after an Antique Statue of a Seated Woman
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Battle of the Centaurs and Lapiths
Felice Giani, Italian
figures, drawing — pen and dark brown ink over traces of graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Project for Tables; Sketches for Chests of Drawers and Possibly Frieze Stand
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Sketchbook Page: Peruses Transforms Phinaeus into Stone
Felice Giani, Italian
figures, drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Loading or Unloading Goods
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and pink, tan wash, white gouache, graphite on cream laid paper, lined · 1820
Cooper Hewitt, Smithsonian Design Museum
The Death of Archimedes
Felice Giani, Italian
graphic design, drawing — pen and ink, brush and sepia wash over graphite on cream laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Design for a Painted Porcelain Plate, Les Meringues (Meringues) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and gray wash, graphite on cream laid paper, border in pen and brown ink · 1819
Cooper Hewitt, Smithsonian Design Museum