Database / Artworks
Artworks
Female Caryatid
Perino del Vaga
Red chalk on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Waterfalls and Woods
Amos Green
Pen and black ink and brush and black and gray wash on cream wove paper, laid down on cream wove paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
Sketches of a Child: Half-Length, Torso, Foot, Hand
Lombard
Red chalk, heightened with touches of lead white (discolored), on cream laid paper, prepared with a red chalk wash ground · 1700
Art Institute of Chicago
Raising of Lazarus (recto); Travelers with Cart Outside Inn (verso)
Giovanni Benedetto Castiglione
Pen and black ink, and red chalk, with brush and gray wash (recto), and brush and black ink and black wash (verso), on cream wove paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Montañez Ortiz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Montañez Ortiz
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Shammaa
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Sketches of Four Draped Female Figures (for Pendentives)
Pierre Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Egil
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael, Italian
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Pollack
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Plaque: Psalm No. 150
Govert Willemnz
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Standing Man, Pointing with Right Hand
Raphael
Red chalk on ivory laid paper, tipped onto tan laid paper · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Playing Putti
Jacob de Wit
Pen and brown inkm over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Inner Portico with Statues
James Thornhill
Graphite and brush and gray wash on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Muse
Raphael
Red chalk with stumping, and touches of red chalk wash, on cream laid paper · 1700
Art Institute of Chicago
Head of Boy Wearing Hat in Profile
Giovanni Battista Piazzetta
Black chalk on blue laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago