Database / Artworks
Artworks
Yoshitsune's Encouter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes (Joruri Junidan Zoshi)"
Sugimura Jihei
Woodblock print; o-oban, sumizuri-e · 1679
Art Institute of Chicago
The insistent lover, from an untitled series of erotic prints
Sugimura Jihei
Hand-colored woodblock print; oban, sumizuri-e · 1679
Art Institute of Chicago
Yoshitsune's Encounter with Princess Joruri, from "The Tale of Joruri in Twelve Episodes (Joruri Junidan Zoshi)"
Sugimura Jihei
Hand-colored woodblock print; o-oban, sumizuri-e · 1679
Art Institute of Chicago
Ortensia Mancini, Duchess of Mazarin
Gerard Valck
Engraving in black on ivory laid paper · 1678
Art Institute of Chicago
Vase with Cover
Grieksche A Factory
Tin-glazed earthenware (Delftware) · 1678
Art Institute of Chicago
Marie Jeanne Baptiste, Duchess de Savoye
Robert Nanteuil
Engraving on paper · 1678
Art Institute of Chicago
Noah Supervising Construction of the Ark
Nicolas Dorigny
Red chalk on tan laid paper, laid down on cream laid paper · 1678
Art Institute of Chicago
Marie Jeanne Baptiste de Savoye
Robert Nanteuil
Engraving on paper · 1678
Art Institute of Chicago
Collection of Pictures of the Actors in the Four Theatres (Shiza yakusha ezukushi), vol 2
Furuyama Moroshige
Woodblock printed book · 1678
Art Institute of Chicago
Noah Supervising Construction of the Ark
Sir Nicolas Dorigny
Red chalk on tan laid paper, laid down on cream laid paper · 1678
Art Institute of Chicago
Cherub Heads (recto); Sketches of Heads (verso)
Jacques Parmentier
Pen and brown ink with brush and gray wash, heightened with lead white, on cream laid paper prepared with a blue wash (recto) and graphite (verso) on cream laid paper · 1678
Art Institute of Chicago
Ortensia Mancini, Duchess of Mazarin
Gerard Valck
Engraving in black on ivory laid paper · 1678
Art Institute of Chicago
Ascension of Female Saint
Martino Altomonte
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on brown wove paper · 1677
Art Institute of Chicago
Temple of Minerva Medica
Ferdinando Galli-Bibiena
Red chalk on ivory laid paper · 1677
Art Institute of Chicago
Saddle Horse
Pieter van Bloemen
Brush and gray wash, over traces of black chalk, on cream laid paper, laid down on board · 1677
Art Institute of Chicago
Stage Setting
Ferdinando Galli-Bibiena
Pen and brown ink, with brush and brown wash, over black chalk, with graphite, on ivory laid paper · 1677
Art Institute of Chicago
Ascension of Female Saint
Martino Altomonte
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on brown wove paper · 1677
Art Institute of Chicago
Pope Blessing Nun
Francesco Solimena
Pen and brown ink with brush and brown wash, over traces of black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Diana and Nymphs
Alessandro Magnasco
Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1677
Art Institute of Chicago
Conversion of Saint Paul
Francesco Solimena
Pen and brown ink, with brush and brown and gray wash, over traces of black chalk, on cream laid paper · 1677
Art Institute of Chicago
Christ Healing the Lame Man
Francesco Solimena
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1677
Art Institute of Chicago
Holy Family with Saints
Francesco Solimena
Pen and black ink, with brush and brown wash, and black chalk, on ivory laid paper, tipped on brownish-tan wove paper · 1677
Art Institute of Chicago
Profile of Male Head, Crowned with Laurel Leaves
Francesco Solimena
Red chalk heightened with touches of white chalk, on tan laid paper, laid down on cream laid paper · 1677
Art Institute of Chicago
Saint called to Papal Chair
Domenico Mondo
Pen and black ink, with brush and gray wash, with black chalk, on cream laid paper, partially laid down on tan wove paper · 1677
Art Institute of Chicago