Database / Artworks
Artworks
Study for Radiator
Dennis Oppenheim
Color heliogravure on white wove paper · 2010
Art Institute of Chicago
Finn MacCool, from Imaging Ulysses
Richard Hamilton
Heliogravure, lift-ground and spit-bite aquatint, engraving and burnishing on white wove paper · 1983
Art Institute of Chicago
Miserere: Christ Blessing Three Men
Georges Rouault
Heliogravure on paper · 1949
Art Institute of Chicago
Title page (page 7) from Fautrier l'enragé
Jean Fautrier
Heliogravure from an illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions · 1949
Museum of Modern Art
Fautrier l'enragé
Jean Fautrier
Illustrated book with twenty etchings (twelve with aquatint, one with heliogravure, and one with heliogravure and aquatint), one heliogravure, two zincographs, one woodcut, one aquatint wrapper, and eight reproductions; plus the supplementary suite of twelve etchings (eight with aquatint) and one aquatint · 1949
Museum of Modern Art
La Femme de ma vie
Jean Fautrier
Illustrated book with five etching and aquatints, relief printed; one etching and aquatint, relief printed, folded and mounted on lace; and heliogravure text · 1947
Museum of Modern Art
Grand Air
Pablo Picasso
Heliogravure and scraper · 1936
Museum of Modern Art
Seated Nude, from Les Réincarnations du Père Ubu
Georges Rouault
Etching, aquatint and heliogravure with roulette, on paper · 1932
Art Institute of Chicago
Bust of a Girl, in Profile to the Left
Georges Rouault
Heliogravure · 1932
Museum of Modern Art
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
De profundis, plate 47 from Miserere
Georges Rouault
Heliogravure, with aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
Georges Rouault
Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
Lord, it is You, Who I Recognize, plate 32 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, burnishing, drypoint and scraping on paper · 1927
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint, with touches of blue chalk on paper · 1926
Art Institute of Chicago
With Tooth and Nail, plate 50 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
Georges Rouault
Heliogravure, with scraping, burnishing, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Mortality has her Tears, plate 27 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, drypoint, burnishing on paper · 1926
Art Institute of Chicago
Are we not Slaves?, plate six from Miserere
Georges Rouault
Heliogravure, burnishing, drypoint, roulette on paper · 1926
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with aquatint and brush on paper · 1926
Art Institute of Chicago
Mother and Child
Georges Rouault
Heliogravure and aquatint on cream laid paper · 1923
Art Institute of Chicago
Mother and Child
Georges Rouault
Heliogravure and aquatint on cream laid paper · 1923
Art Institute of Chicago
Omens, plate 41 from Miserere
Georges Rouault
Heliogravure, with aquatint, roulette, burnishing, and drypoint on paper · 1923
Art Institute of Chicago