Database / Artworks
Artworks
Inner Portico with Statues
James Thornhill
Graphite and brush and gray wash on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VI
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Jiasha (Mantle)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700
Art Institute of Chicago
Playing Putti
Jacob de Wit
Pen and brown inkm over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Stable Interior: Herder Resting with Sheep, Cow, Goats and Dog
Andrea di Lione
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Pollack
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. I
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
Head of Boy Wearing Hat in Profile
Giovanni Battista Piazzetta
Black chalk on blue laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. VII
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Moses Drawing Water from the Rock
Charles Le Brun
Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700
Art Institute of Chicago
The Actor Yamanaka Heikuro I
Torii Kiyonobu I
Hand-colored woodblock print; hosoban, tan-e · 1700
Art Institute of Chicago
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
Federico Barocci
Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper · 1700
Art Institute of Chicago
Four Men in Conversation
Raphael
Black chalk, with graphite, on pale green wove paper, tipped on to cream wove paper · 1700
Art Institute of Chicago
Scroll with twelve erotic scenes
Hishikawa School
Handscroll; ink and colors on paper · 1700
Art Institute of Chicago
Caryatid with Yoke and Scroll
Raphael
Red chalk, with brush and red chalk wash, on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Standing Man, Pointing with Right Hand
Raphael
Red chalk on ivory laid paper, tipped onto tan laid paper · 1700
Art Institute of Chicago
Virgin and Child Seated on Clouds
Parmigianino
Black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper · 1700
Art Institute of Chicago
Allegory of Sea Trade
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Putto Holding Flowers
Pellegrino Tibaldi
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper · 1700
Art Institute of Chicago