Database / Artworks
Artworks
Brocaded Sea of Peach Blossom Waves
Lu Zhi
Folding fan mounted as an album leaf; ink and color on gold paper · 1535
The Metropolitan Museum of Art
Term in the form of Hercules With His Club
Jean Mignon
Etching · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
Design for a Narrative Frieze: A Commander Addressing His Troops
Alessandro Allori
Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper; framing lines in black chalk · 1535
The Metropolitan Museum of Art
Design for a Term with the Head of Woman, Strapwork and Trophies
Mignon
Etching · 1535
The Metropolitan Museum of Art
Design for Ornamental Border with Foliage, Putti and a Lion's Head
Alessandro Allori
Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache, on blue paper · 1535
The Metropolitan Museum of Art
Anne de Pisseleu (1508–1576), Duchesse d'Étampes
Corneille (Guillaume van Beverloo)
Oil on wood · 1535
The Metropolitan Museum of Art
A Man Resting on a Staff
Paolo Farinati
Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk · 1535
The Metropolitan Museum of Art
A Woman Showing Bulls to a Man
Léon Davent
Etching · 1535
The Metropolitan Museum of Art
Half Armor attributed to Don Gonzalo Fernández de Córdoba y Fernández de Córdoba, Duke of Sessa (1520/1524–1578)
Lucio Piccinino
Steel, gold · 1535
The Metropolitan Museum of Art
Madonna and Child with a Bird
Diana Scultori
Engraving · 1535
The Metropolitan Museum of Art
Saltcellar with scene of infant harvesters (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Margaret Roper (Margaret More, 1505–1544)
Hans Holbein the Younger
Vellum laid on playing card · 1535
The Metropolitan Museum of Art
Saltcellar (one of a pair)
Pierre Reymond
Painted enamel on copper, partly gilt · 1535
The Metropolitan Museum of Art
Atalanta and Hippomemes, from "Four Mythological Scenes"
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Two men and a woman playing cards at a table, one man pressing his nose toward the woman's forehead, from a series of ten scenes of musicians and couples dancing, drinking, playing music, and playing cards
Virgil Solis
Engraving · 1535
The Metropolitan Museum of Art
Close Helmet
Wolfgang Grosschedel
Steel, leather, copper alloy · 1535
The Metropolitan Museum of Art
The Witches at the Walnut Tree of Benevento
Guglielmo della Porta
Pen and brown ink · 1534
The Metropolitan Museum of Art
The Triumph of Death on Time, from The Triumph of Petrarch
Georg Pencz
Engraving · 1534
The Metropolitan Museum of Art
Classical Female Figure (Diana or Venus) with Two Infants
Francesco Primaticcio
Pen and brown ink, highlighted with white gouache, over traces of black chalk, stylus and compass construction; traces of squaring in black chalk · 1534
The Metropolitan Museum of Art
The Witches at the Walnut Tree of Benevento
Porta, Guglielmo della
Pen and brown ink · 1534
The Metropolitan Museum of Art
The Banquet of the Gods
Porta, Guglielmo della
Pen and brown ink, over black chalk · 1534
The Metropolitan Museum of Art
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
Engraving · 1534
The Metropolitan Museum of Art