Database / Artworks
Artworks
![Five Sheep; Four Head Studies [verso]](https://api.nga.gov/iiif/d2d02a09-44a5-45f8-a8da-810a283167c7/full/!800,800/0/default.jpg)
Five Sheep; Four Head Studies [verso]
Paul Gauguin
pen and brown ink and graphite on wove paper · 1884
National Gallery of Art
![Five Studies of Heads; A Boy in Profile with Studies of Hands and Feet [verso]](https://api.nga.gov/iiif/4be15627-bdb2-4662-924e-4705d2ef6324/full/!800,800/0/default.jpg)
Five Studies of Heads; A Boy in Profile with Studies of Hands and Feet [verso]
Paul Gauguin
pen and brown ink and graphite on wove paper · 1884
National Gallery of Art
Entrance of the Serving Maid
Edwin Austin Abbey
Black ink and graphite on off-white wove paper card · 1884
The Metropolitan Museum of Art
Head of a Woman and Head of a Bearded Man
Édouard Manet
Watercolor with pen and brown ink and graphite on cream wove paper · 1880
Art Institute of Chicago
Coutances Cathedral
Stanford White
Brown ink and graphite on buff colored cardboard · 1876
The Metropolitan Museum of Art
Coutances Cathedral
Stanford White
Brown ink and graphite on buff colored cardboard · 1876
The Metropolitan Museum of Art
Coutances Cathedral
Stanford White, American
Brown ink and graphite on buff colored cardboard · 1876
The Metropolitan Museum of Art
Near Calvi
Edward Lear
Ink and graphite on paper · 1868
Tate
Hercules and the Hydra of Lerna
Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Hercules and the Hydra of Lerna
Gustave Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House
Alfred Stevens
Watercolour, ink and graphite on paper · 1863
Tate
Emblems of Saints Luke and John
Philip Webb
Watercolour, ink and graphite on paper · 1863
Tate
Emblems of Saints Matthew and Mark
Philip Webb
Watercolour, ink and graphite on paper · 1863
Tate
Philates
Edward Lear
Watercolour, ink and graphite on paper · 1856
Tate
a) Waiter and Customer (recto); b) Sketch of a Man and Woman (verso)
Jean-Louis Forain
a) brush and black ink and graphite on wove paper
b) brush and black ink on wove paper · 1852
National Gallery of Art
Sketch for ‘Jesus Washing Peter’s Feet’
Ford Madox Brown
Ink and graphite on paper · 1851
Tate
![Studies for "Washington Crossing the Delaware" [recto]](https://api.nga.gov/iiif/5b8ed3c2-2c2c-4bbe-aa10-67454637f927/full/!800,800/0/default.jpg)
Studies for "Washington Crossing the Delaware" [recto]
Emanuel Gottlieb Leutze
pen and brown ink and graphite on wove paper · 1849
National Gallery of Art
Group of Portrait and Compositional Studies
Jules Delaunay
Pen and ink and graphite on paper · 1848
Art Institute of Chicago
The Comic Almanack
George Cruikshank
Pen and ink and graphite on folder paper · 1848
Art Institute of Chicago
Sketches of Biblical Scenes, Town by Lake, Mountain Village, Warrior
Rodolphe Bresdin
Pen and brown ink and graphite, on tan wove paper laid down on ivory wove paper · 1845
Art Institute of Chicago
Joan of Arc Standing at the Altar at Reims Cathedral
Jean-Auguste-Dominique Ingres
pen and brown ink and graphite on tracing paper laid down on blue paper · 1844
National Gallery of Art
Library and Chapel, University of Michigan, Ann Arbor (front elevation)
Alexander Jackson Davis
Watercolor, ink and graphite on paper · 1838
The Metropolitan Museum of Art
Coming from Evening Church
Samuel Palmer
Tempera, chalk, gold, ink and graphite on gesso on paper · 1830
Tate
Sketch for ‘Treatise on Zodiacal Physiognomy’
John Varley
Ink and graphite on paper · 1828
Tate