Database / Artworks
Artworks
Lukas Spielhausen
Attributed to Lucas Cranach the Elder
Oil and gold on beech · 1532
The Metropolitan Museum of Art
Portrait of a Man in Royal Livery
Holbein, Hans, the younger
Oil and gold on parchment, laid down on linden · 1532
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art
Officia M.T.C. Von den tugentsamen ämptern
Cicero
Woodcuts · 1531
The Metropolitan Museum of Art
The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art
Horatio Coclès Saving Himself by Swimming
Diana Scultori
Engraving · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art