Database / Artworks
Artworks

Necromancy
Vera Berdich
Color photo-engraving with photo-etching, aquatint, scraping and burnishing, on white wove Japanese paper · 1967
Art Institute of Chicago

White Target
Jasper Johns
Lithograph on black laid Japanese paper · 1967
Art Institute of Chicago

White Target
Jasper Johns
Lithograph from seven stones in white on black wove Japanese paper, laid down on black wove paper (chine collé) · 1967
Art Institute of Chicago

0-9 (For the Benefit of the Committee to Rescue Italian Art)
Jasper Johns
Color lithograph on black Japanese paper · 1967
Art Institute of Chicago

0-9 (For the Benefit of the Committee to Rescue Italian Art)
Jasper Johns
Lithograph on black Japanese paper, laid down on English Chatham paper · 1967
Art Institute of Chicago

Paintbrushes, plate four from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago

Numbers, plate six from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago

Ale Cans, plate three from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago

Flashlight, plate one from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago

The Drawers
Salvador Dalí
Etching and engraving, with watercolor, on ivory Japanese paper · 1967
Art Institute of Chicago

The Complex of the Sphinx
Pierre Alechinsky
Synthetic polymer paint, oil, and ink on Japanese paper on canvas · 1967
Museum of Modern Art

Twelfth Stone
Lee Bontecou
Lithograph from one stone in black ink on ivory Japanese paper · 1966
Art Institute of Chicago

Thirteenth Stone
Lee Bontecou
Lithograph from one stone in black ink on ivory Japanese paper · 1966
Art Institute of Chicago

Eleventh Stone
Lee Bontecou
Lithograph from one stone in black ink on ivory Japanese paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone in white on black Japanese paper, laid down on black wove paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone in white on black Japanese paper, chine colle on cream wove paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone in black ink on white Japanese paper, laid down on black wove paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone in white on black Japanese paper, chine colle on white wove paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone on ivory Japanese paper, chine colle on black wove paper · 1966
Art Institute of Chicago

Twelfth Stone
Lee Bontecou
Lithograph from one stone on white Japanese paper, chine colle on black wove paper · 1966
Art Institute of Chicago

Thirteenth Stone
Lee Bontecou
Lithograph from one stone in gray ink on black Japanese paper, laid down on black wove paper · 1966
Art Institute of Chicago

Thirteenth Stone
Lee Bontecou
Lithograph from one stone in white on black Japanese paper, laid down on cream wove paper · 1966
Art Institute of Chicago

Thirteenth Stone
Lee Bontecou
Lithograph from one stone in white on black Japanese paper, laid down on white wove paper · 1966
Art Institute of Chicago

Thirteenth Stone
Lee Bontecou
Lithograph from one stone in black ink on white Japanese paper, laid down on black wove paper · 1966
Art Institute of Chicago