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Artworks

1,739 records · Japanese paper
The Little Forge
The Little Forge
Donald Shaw MacLaughlan
Etching in black on Japanese paper · 1902
Art Institute of Chicago
The Simple Life
The Simple Life
Gertrude Käsebier
Toned silver print on Japanese paper · 1902
Art Institute of Chicago
Angel, Peacock, and Three Tahitians
Angel, Peacock, and Three Tahitians
Paul Gauguin
Transfer drawing in brown and black ink on cream Japanese paper · 1902
Art Institute of Chicago
The Old Bedford
The Old Bedford
Walter Richard Sickert
Graphite, with charcoal, on tan wove paper, laid down on white Japanese paper · 1901
Art Institute of Chicago
Portrait of Basil Gotto (Black and White Version)
Portrait of Basil Gotto (Black and White Version)
Theodore Roussel
Drypoint in black, with selective wiping of plate tone, on ivory Japanese paper · 1901
Art Institute of Chicago
The Corpus Christi Procession, Nantes
The Corpus Christi Procession, Nantes
Louis Auguste Lepère
Woodcut in black on thick cream wove Japanese paper with deckled edges · 1901
Art Institute of Chicago
Nude
Nude
Wilhelm Lehmbruck
Drypoint on ivory Japanese paper · 1901
Art Institute of Chicago
Le Nys, Amsterdam
Le Nys, Amsterdam
Louis Auguste Lepère
Drypoint on cream laid Japanese paper with two deckled edges · 1901
Art Institute of Chicago
Modern Bucolic
Modern Bucolic
Louis Auguste Lepère
Woodcut in fawn, blue-gray, peach, salmon and tan from three blocks on cream Japanese paper · 1901
Art Institute of Chicago
Penitente Ceremony
Penitente Ceremony
Gustave Baumann
Woodcut on off-white Japanese paper, tipped at top two corners onto cream wove card · 1901
Art Institute of Chicago
La Place S.Jacques, Dieppe
La Place S.Jacques, Dieppe
Walter Richard Sickert
Charcoal with brush and watercolor on tan wove paper, laid down on ivory Japanese paper · 1900
Art Institute of Chicago
Portrait of John Paul Jones
Portrait of John Paul Jones
David Glines
Woodcut on cream Japanese paper · 1900
Art Institute of Chicago
At Cliff Marsh
At Cliff Marsh
Frederick Vango Burridge
Drypoint on Japanese paper · 1900
Art Institute of Chicago
Lion Column, Venice
Lion Column, Venice
Donald Shaw MacLaughlan
Etching in black on Japanese paper · 1900
Art Institute of Chicago
Saint Sulpice, Paris: La Grande Tour
Saint Sulpice, Paris: La Grande Tour
Donald Shaw MacLaughlan
Etching in black on cream wove Japanese paper · 1900
Art Institute of Chicago
The Seamstress
The Seamstress
Henri Matisse
Fabricated black chalk, with touches of pen and black ink, on cream wove paper, laid down on Japanese paper · 1900
Art Institute of Chicago
Two Women Chattering, headpiece for Le Sourire
Two Women Chattering, headpiece for Le Sourire
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1900
Art Institute of Chicago
Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina
Design for a Fan Featuring a Landscape and a Statue of the Goddess Hina
Paul Gauguin
Watercolor and gouache, with touches of pen and black ink, over traces of graphite, on cream Japanese paper (pieced), laid down on cream wove paper · 1900
Art Institute of Chicago
Two Women Chattering, headpiece for Le Sourire
Two Women Chattering, headpiece for Le Sourire
Paul Gauguin
Wood-block print in black ink on thin ivory laid Japanese paper · 1900
Art Institute of Chicago
The Goosegirl
The Goosegirl
Paula Modersohn-Becker
Etching and aquatint on cream laid Japanese paper · 1899
Art Institute of Chicago
Woman with Goose
Woman with Goose
Paula Modersohn-Becker
Etching with aquatint and roulette in dark green on Japanese paper · 1899
Art Institute of Chicago
Portrait of a Peasant Woman
Portrait of a Peasant Woman
Paula Modersohn-Becker
Etching with aquatint in dark brown on Japanese paper · 1899
Art Institute of Chicago
Blind Woman in the Forest
Blind Woman in the Forest
Paula Modersohn-Becker
Etching and aquatint in dark green on Japanese paper · 1899
Art Institute of Chicago
Woman's Head against the Shore
Woman's Head against the Shore
Edvard Munch
Woodcut printed from two blocks (each sawn into two sections) in light green, orange, blue-green, and red-brown ink on ivory Japanese paper · 1899
Art Institute of Chicago
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