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Artworks

Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink, with yellow ocher ink offset, on thin ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso) · 1898
Art Institute of Chicago

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board · 1898
Art Institute of Chicago

Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression
Wood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper · 1898
Art Institute of Chicago

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper · 1898
Art Institute of Chicago

The Rape of Europa, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin, ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in yellow ocher ink on ivory wove paper (verso) · 1898
Art Institute of Chicago

The Ox Cart, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, laid down on medium-weight, fibrous, off-white Japanese paper · 1898
Art Institute of Chicago

Two Women on the Shore
Edvard Munch
Woodcut printed from one block (sawn into three sections) in dark blue, green, black and red-brown ink with additions in green crayon on cream Japanese paper · 1898
Art Institute of Chicago

Mount for Anemonies
Theodore Roussel
Softground etching, aquatint, lavis and drypoint in black and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for Summer
Theodore Roussel
Color etching, aquatint, softground, and drypoint on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for Embers Glow
Theodore Roussel
Etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago

The Shulamite
Odilon Redon
Lithograph printed in blue, yellow, and violet on buff Japanese paper · 1897
Art Institute of Chicago

Stéphane Mallarmé
Edvard Munch
Transfer lithograph with crayon and scraping in green on cream Japanese paper · 1897
Art Institute of Chicago

The Shulamite
Odilon Redon
Lithograph printed in black and yellow on buff Japanese paper · 1897
Art Institute of Chicago

At La Souris, Madame Palmyre
Henri de Toulouse-Lautrec
Lithograph in black on ivory Japanese paper · 1897
Art Institute of Chicago

Mount for Last Poppies
Theodore Roussel
Drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory Japanese paper · 1897
Art Institute of Chicago

Stag and Flower Pattern Frame (bottom frame section)
Theodore Roussel
Etching and soft ground in black, yellow-brown metallic, and green-blue with plate tone, on ivory Japanese paper · 1897
Art Institute of Chicago

Motherhood (Maternité)
Édouard Vuillard
color lithograph on Japanese paper · 1896
National Gallery of Art

Motherhood (Maternite)
Édouard Vuillard
color lithograph on Japanese paper · 1896
National Gallery of Art

Death in the Sickroom
Edvard Munch
Lithograph in black ink on lightweight cream Japanese paper · 1896
Art Institute of Chicago

Jealousy I
Edvard Munch
Lithograph in black on ivory Japanese paper · 1896
Art Institute of Chicago

The Thames
James McNeill Whistler
Lithotint, in black ink, with scraping, on cream Japanese paper · 1896
Art Institute of Chicago

The Baby Sequoia
Ernest Haskell
Etching in black on cream laid Japanese paper · 1896
Art Institute of Chicago

Maternity
Édouard Jean Vuillard
Color lithograph on cream Japanese paper · 1896
Art Institute of Chicago

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio
Odilon Redon
Lithograph in black on cream Japanese paper · 1896
Art Institute of Chicago