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Artworks

1,739 records · Japanese paper
Te atua (The God), from the Suite of Late Wood-Block Prints
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink, with yellow ocher ink offset, on thin ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in brownish-black ink on ivory wove paper (verso) · 1898
Art Institute of Chicago
Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints
Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board · 1898
Art Institute of Chicago
Te atua (The God), from the Suite of Late Wood-Block Prints
Te atua (The God), from the Suite of Late Wood-Block Prints
Paul Gauguin
Second-state impression laid down on first-state impression Wood-block print of second state in black ink on lunette-shaped, thin ivory Japanese paper, laid down on wood-block print of first state in brownish-black ink on lunette-shaped ivory wove paper · 1898
Art Institute of Chicago
Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, tipped on thin white Japanese paper · 1898
Art Institute of Chicago
The Rape of Europa, from the Suite of Late Wood-Block Prints
The Rape of Europa, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin, ivory Japanese paper, laid face down on ivory wove paper (recto); wood-block print in yellow ocher ink on ivory wove paper (verso) · 1898
Art Institute of Chicago
The Ox Cart, from the Suite of Late Wood-Block Prints
The Ox Cart, from the Suite of Late Wood-Block Prints
Paul Gauguin
Wood-block print in black ink on thin ivory Japanese paper, laid down on medium-weight, fibrous, off-white Japanese paper · 1898
Art Institute of Chicago
Two Women on the Shore
Two Women on the Shore
Edvard Munch
Woodcut printed from one block (sawn into three sections) in dark blue, green, black and red-brown ink with additions in green crayon on cream Japanese paper · 1898
Art Institute of Chicago
Mount for Anemonies
Mount for Anemonies
Theodore Roussel
Softground etching, aquatint, lavis and drypoint in black and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago
Mount for Summer
Mount for Summer
Theodore Roussel
Color etching, aquatint, softground, and drypoint on ivory Japanese paper · 1897
Art Institute of Chicago
Mount for Embers Glow
Mount for Embers Glow
Theodore Roussel
Etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory Japanese paper · 1897
Art Institute of Chicago
The Shulamite
The Shulamite
Odilon Redon
Lithograph printed in blue, yellow, and violet on buff Japanese paper · 1897
Art Institute of Chicago
Stéphane Mallarmé
Stéphane Mallarmé
Edvard Munch
Transfer lithograph with crayon and scraping in green on cream Japanese paper · 1897
Art Institute of Chicago
The Shulamite
The Shulamite
Odilon Redon
Lithograph printed in black and yellow on buff Japanese paper · 1897
Art Institute of Chicago
At La Souris, Madame Palmyre
At La Souris, Madame Palmyre
Henri de Toulouse-Lautrec
Lithograph in black on ivory Japanese paper · 1897
Art Institute of Chicago
Mount for Last Poppies
Mount for Last Poppies
Theodore Roussel
Drypoint, aquatint, softground and lavis in blue-green and yellow-brown metallic on ivory Japanese paper · 1897
Art Institute of Chicago
Stag and Flower Pattern Frame (bottom frame section)
Stag and Flower Pattern Frame (bottom frame section)
Theodore Roussel
Etching and soft ground in black, yellow-brown metallic, and green-blue with plate tone, on ivory Japanese paper · 1897
Art Institute of Chicago
Motherhood (Maternité)
Motherhood (Maternité)
Édouard Vuillard
color lithograph on Japanese paper · 1896
National Gallery of Art
Motherhood (Maternite)
Motherhood (Maternite)
Édouard Vuillard
color lithograph on Japanese paper · 1896
National Gallery of Art
Death in the Sickroom
Death in the Sickroom
Edvard Munch
Lithograph in black ink on lightweight cream Japanese paper · 1896
Art Institute of Chicago
Jealousy I
Jealousy I
Edvard Munch
Lithograph in black on ivory Japanese paper · 1896
Art Institute of Chicago
The Thames
The Thames
James McNeill Whistler
Lithotint, in black ink, with scraping, on cream Japanese paper · 1896
Art Institute of Chicago
The Baby Sequoia
The Baby Sequoia
Ernest Haskell
Etching in black on cream laid Japanese paper · 1896
Art Institute of Chicago
Maternity
Maternity
Édouard Jean Vuillard
Color lithograph on cream Japanese paper · 1896
Art Institute of Chicago
Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio
Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio
Odilon Redon
Lithograph in black on cream Japanese paper · 1896
Art Institute of Chicago
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