Database / Artworks
Artworks
White Target
Jasper Johns
Lithograph in black on pale green Japanese paper · 1968
Art Institute of Chicago
A la pintura: White 7-9
Robert Motherwell
Brush and green ink, and white pastel, on ivory Japanese paper · 1968
Art Institute of Chicago
Which (Necessity)
Steven Sorman
Lithograph and woodblock on two layers of buff Japanese paper · 1968
Art Institute of Chicago
Plate 22, from Poèmes
Marc Chagall
Color woodcut on ivory Japanese paper · 1968
Art Institute of Chicago
Amour aux éclats
Roberto Matta
Etching and aquatint on cream Japanese paper · 1968
Art Institute of Chicago
Se Marier d'Amour
Roberto Matta
Etching and aquatint on cream Japanese paper · 1968
Art Institute of Chicago
Octopus, from Mode d'Emploi
Hans Bellmer
Engraving on white Japanese paper · 1967
Art Institute of Chicago
Negresse, from Mode d'Emploi
Hans Bellmer
Engraving on white Japanese paper · 1967
Art Institute of Chicago
Seeking Fingers, from Mode d'Emploi
Hans Bellmer
Engraving on white Japanese paper · 1967
Art Institute of Chicago
The Web, from Mode d'Emploi
Hans Bellmer
Engraving on white Japanese paper · 1967
Art Institute of Chicago
Ways of Daring, from Mode d'Emploi
Hans Bellmer
Engraving on white Japanese paper · 1967
Art Institute of Chicago
Transfer Monotype (Tools and Machines), plate 96 from 101 Prints
Norman Roland Eppink
Transfer drawing in black on tan Japanese paper · 1967
Art Institute of Chicago
Paper Print (Umbrellas), plate 91 from 101 Prints
Norman Roland Eppink
Collagraph (paper relief print) in black on ivory Japanese paper · 1967
Art Institute of Chicago
Casein Cut (Fragment), plate 9 from 101 Prints
Norman Roland Eppink
Collagraph in black on ivory Japanese paper · 1967
Art Institute of Chicago
Japanese Color Technique, color variant (Fisherman 2), plate 7a from 101 Prints
Norman Roland Eppink
Color woodcut on ivory Japanese paper · 1967
Art Institute of Chicago
Japanese Color Technique (Fisherman 1), plate 7 from 101 Prints
Norman Roland Eppink
Color woodcut on ivory Japanese paper · 1967
Art Institute of Chicago
Coast Line (Woodcut), plate 1 from 101 Prints
Norman Roland Eppink
Woodcut in black on ivory Japanese paper · 1967
Art Institute of Chicago
Flag, plate five from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago
Light Bulb, plate two from 1st Etchings
Jasper Johns
Etching and photoengraving from two plates in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago
White Target
Jasper Johns
Lithograph from seven stones in white on black Japanese paper, laid down on blue-gray wove paper (chine collé) · 1967
Art Institute of Chicago
Type Proof, from Fifth Stone, Sixth Stone
Lee Bontecou
Letterpress on ivory laid Japanese paper · 1967
Art Institute of Chicago
Untitled II
Cy Twombly
Etching, open bite, and aquatint from one plate in white on black Japanese paper · 1967
Art Institute of Chicago
Ale Cans, title page, from 1st Etchings
Jasper Johns
Etching and open-bite etching from one copper plate in black on gray wove paper, tipped onto portfolio page of ivory Japanese paper, laid down on four-ply board, and bound in accordion format · 1967
Art Institute of Chicago
Mis en Scene
Vera Berdich
Color photo-etching on Japanese paper · 1967
Art Institute of Chicago