Database / Artworks
Artworks

Circle Serpent (Serpiente Circular)
Guadalupe Maravilla
Maguey leaves, cotton, glue mixture, jute, and aluminum conch shell · 2019
Museum of Modern Art

M(M10)
Jan Vercruysse
Plaster, jute, flax, aluminium and hardwood · 1993
Tate

Bird that Flies over America
Juan Francisco Elso
Carved wood, branches, wax, jute thread, and basket elements · 1985
Museum of Modern Art

Orion
Ásgerður Ester Búadóttir
Linen, wool, and horsehair, slit and double interlocking tapestry weave with eccentric wefts and supplementary wrapping wefts forming cut pile; backing bands of jute, plain weave · 1981
Art Institute of Chicago

Riverside (Furnishing Fabric)
Eleanor Kluck
Cotton and jute; plain weave; screen printed · 1978
Art Institute of Chicago

Forest (Furnishing Fabric)
Eleanor Kluck
Cotton and jute, plain weave; screen printed · 1977
Art Institute of Chicago

Águila Beige (Brown Eagle)
Aurèlia Muñoz
Macramé with hand-dyed sisal and jute yarn · 1977
Museum of Modern Art

The Nets are Empty
Else Regensteiner
Wool; knotting of double-flat knots terminating in long cut fringe over wool, cotton, silk, mohair, nylon, rayon, and polyester bouclé, plain weave; some bast fiber (jute) and cellophane strip ground weft loop pile (bouclé) and supplementary elements of wood and plant materials; both layers worked over wood branch · 1976
Art Institute of Chicago

Leafy Grove (Furnishing Fabric)
Eleanor Kluck
Cotton and jute, plain weave; screen printed · 1976
Art Institute of Chicago

The Ball You Blow
Naoko Serino
Jute, felted · 1975
Art Institute of Chicago

Super Sky (Furnishing Fabric)
Eleanor Kluck
Cotton and jute, plain weave; screen printed · 1975
Art Institute of Chicago

Der Paukenspieler (The Drummer Boy)
Paul Klee
Cotton, jute and wool, plain weave with discontinuous supplementary pile warps forming cut solid pile · 1972
Art Institute of Chicago

Symbolic Poncho
Claire Zeisler
Jute; knotting (flat knots); wrapped with wool; self-fringe some knotted, some wrapped; metal stand · 1971
Art Institute of Chicago

Siam (Needlework)
Else Regensteiner
Jute and linen; knotting worked off of tree branch; embellished with ceramic pieces · 1970
Art Institute of Chicago

Macra rojo (Red Macra)
Aurèlia Muñoz
Jute and lead · 1970
Museum of Modern Art

Free Standing Yellow
Claire Zeisler
Wool and jute; knotting; wrapping with inserted fringes · 1968
Art Institute of Chicago

Study for Six Prayers: No. IV
Anni Albers
Linen, jute and rayon; end sections: plain weave with supplementary, paired patterning warps and supplementary binding wefts; center section: plain weave with supplementary brocading wefts, alternating two-color main warp in pairs; edges bound in ribbon of cotton and rayon · 1965
Art Institute of Chicago

P16 Parangolé Cape 12 “From Adversity We Live”
Hélio Oiticica
Jute, fabric, wood shavings, and plastics · 1965
Museum of Modern Art

Sample (Dr 130 H #1)
Robert D. Sailors
Rayon, jute, and wool, plain weave with supplementary patterning wefts · 1963
Art Institute of Chicago

Sample (Dr 120 Z #1)
Robert D. Sailors
Polyester, jute, rayon and bamboo; cotton chenille and wool bouclé; glass beads, bands of plain gauze weave and of plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Y #3)
Robert D. Sailors
Cotton, jute, naugahyde, rayon and bamboo; wool and rayon bouclé, cotton and polyester chenille, plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Y #2)
Robert D. Sailors
Rayon, wool, jute, cotton, polyester, and naugahyde, plain weave · 1960
Art Institute of Chicago

Excavations
Mariska Karasz
Linen, plain weave; applied painted paper, leather, and fur; appliquéd with jute, wool and linen, plain weaves; embroidered with wool, linen, silk, wild silk, cotton, jute, hemp, sisal, and cellulose film, in crossed back, eyelet, herringbone, laced herringbone, laced long-armed cross, long-armed cross, ladder and stem stitches; couching · 1959
Art Institute of Chicago

Cactus
Mariska Karasz
Silk, plain weave; appliquéd with cotton, rayon, silk, wool, and metal foil laminated in cellulose acetate film, plain weave with supplementary patterning wefts; cotton, rayon and silk, twill and plain weaves; embroidered with silk, linen, wool, cotton, jute, rayon and cellulose acetate in buttonhole, coral, zig-zag coral, feather, long-armed cross, open chain and stem stitches; laid work and couching · 1958
Art Institute of Chicago