Artworks

Han-Chinese

Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, single satin, and satin stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in herringbone, knot, single satin, satin, and stem stitches; laid work and couching; ribbons: silk and gold- and silver-leaf-over-lacquered-paper-strip-wrapped cotton, warp-float faced 7:1 satin weave self-patterned by main warp floats; trimmed with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1800

Kunimasa

color woodblock print, with mica and lacquer · 1796

Sadiq

Papier-maché; painted and lacquered · 1791

Joseph Boze

lacquer (coating), wood (plant material), glass, metal, ivory · 1790

YAMADA

Gold and silver maki-e and pewter on dark green lacquer Ojime: Coral bead Netsuke: Carved wood in shape of mouse on mushroom · 1790

Manchu

Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float-faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gilt-metal-strip-wrapped linen, 1:1 oblique interlacing; sleeves: silk, warp-float faced 2:1 'Z' twill weave; pleated; lined with silk, plain weave (new); metal buttons · 1790

Manchu

Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons · 1790

Manchu

Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves: silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, 4:1 satin damask weave; cuffs lined with silk, 4:1 satin weave; metal buttons · 1790

Adam Weisweiler

Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original) · 1785

Adam Weisweiler

Oak, Japanese lacquer and ebony veneer, gilt bronze, verde antico marble · 1785

Adam Weisweiler

Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels; gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original) · 1785

Manchu

Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775

Manchu

Center: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave (kossu); painted; inner tape: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; outer tape: silk, warp-float faced 7:1 satin weave self-patterned by complementary ground weft floats; edged with cotton, warp-float faced 4:1 satin weave; glazed; backed with cotton, plain weave · 1775

Han-Chinese

Silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave · 1775

Manchu

Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching · 1775

Johann Heinrich Stobwasser

Paper maché and black lacquer with painted cover · 1775

Manchu

Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterning ground wefts bound in weft-float faced 1:3 'Z' twill interlacings · 1775

Manchu

Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775

David Roentgen

Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass · 1771

Xu Yang 徐揚

Handscroll; ink and color on silk, lacquer box · 1770

René Dubois

Painted and varnished oak, veneered with European lacquer, mahogany, purplewood, gilt-bronze mounts · 1765

René Dubois

Painted and varnished oak, veneered with European lacquer, mahogany, purplewood, gilt-bronze mounts · 1765

Johann Martin Heinrici

Lacquered metal inlaid with mother-of-pearl, copper, brass, ray skin, colored stone, gold · 1755

René Dubois

Oak, veneered with Japanese Nambam lacquer; rosewood, gilt-bronze mounts · 1755