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Artworks

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk, gold-leaf-over-lacquered-paper strips, and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float faced 2:1 'S' twill weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and brocading wefts; lined with silk, 4:1 satin damask weave · 1700
Art Institute of Chicago

Jiasha (Mantle)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago

Fragment (For a Curtain)
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in surface satin stitches; laid work and couching · 1675
Art Institute of Chicago

Bed Curtain
Manchu
center panel and inner borders: silk, gold-leaf-over-lacquered-paper strips, and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:3 'S' twill interlacings; outer border: silk, warp-float faced 5:1 twill weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with cotton, plain weave · 1650
Art Institute of Chicago

Jiasha (Mantle)
Han-Chinese
Silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining; silk, 1:1 plain oblique interlaced tapes; lined with silk, warp-float faced 4:1 satin weave · 1650
Art Institute of Chicago

Bireno and Olimpia
Ferdinando Tacca
Bronze with traces of red-gold lacquer · 1640
Art Institute of Chicago

Hercules and the Erymanthian boar
Giambologna
Bronze, with red-brown lacquer patina · 1630
The Metropolitan Museum of Art

A Child Standing
Severo da Ravenna
bronze//Heavy black lacquer rubbed locally over medium brown bronze · 1601
National Gallery of Art

Andiron with the Figure of Jupiter
Niccolò Roccatagliata
Bronze, dark brown wax or lacquer patina. · 1600
The Metropolitan Museum of Art

Andiron with the Figure of Juno
Niccolò Roccatagliata
Bronze, dark brown wax or lacquer patina. · 1600
The Metropolitan Museum of Art

Cupid on Horseback
Francesco Fanelli
Copper alloy, covered with a dark brown lacquer patina. · 1600
The Metropolitan Museum of Art

Manuscript of Kulliyat (Complete Works) by Sa'di with Lacquered Cover
Islamic
Cover: lacquered leather, Manuscript: ink, opaque watercolor, and gold on paper · 1600
Art Institute of Chicago

Orpheus and Eurydice
Peter Vischer the Younger
bronze//Black lacquer (slightly rubbed on raised areas) over medium brown bronze · 1515
National Gallery of Art

Satyr
Antico
Bronze, with remains of dark brown lacquer · 1505
The Metropolitan Museum of Art

The Judgment of Paris
Francesco di Giorgio Martini
bronze//Dark patina (black lacquer somewhat rubbed over rich reddish-brown bronze) · 1475
National Gallery of Art

Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse)
Pisanello
Bronze (yellowish copper alloy with brown patina and traces of black lacquer or wax) · 1446
The Metropolitan Museum of Art
Buddha of Infinite Life and Light (Amida Nyorai)
Joshun
Cypress with lacquer, color, gold, cut gold, rock-crystal inlaid eyes, and quartz · 1269
Cleveland Museum of Art

Box
Yeki-ko
containers, decorative arts, box and lid — mother-of-pearl, ivory, silver, lacquer, wood
Cooper Hewitt, Smithsonian Design Museum

Cat
Shibata Zeshin
Hanging scroll; lacquer on paper
Art Institute of Chicago