Database / Artworks
Artworks
Mug
S. Bell & Son
Earthenware, slip, and lead, copper, and manganese oxide glazes · 1882
Art Institute of Chicago
Plate
Christophe
Lead-glazed earthenware with polychrome enamels · 1881
Art Institute of Chicago
Plate
Christopher Dresser
Lead-glazed earthenware with polychrome enamels · 1881
Art Institute of Chicago
Chambre syndicate de l'automobile
Heinrich Kautsch
Silvered copper galvanotype, lead-filled · 1880
Art Institute of Chicago
Pitcher
Christopher Dresser
Lead-glazed earthenware · 1880
Art Institute of Chicago
Euripides
Andrea Carlo Lucchesi
Black crayon with touches of stumping and graphite, heightened with lead white (discolored), on tan wove paper · 1879
Art Institute of Chicago
Stained glass window
Daniel
Leaded glass · 1877
The Metropolitan Museum of Art
Saintes Femmes Allant au Calvaire
Emile Dropsy
Copper galvanotype, lead-filled · 1875
Art Institute of Chicago
Scene from the Fêtes de Rennes
Daniel Urrabieta Vierge
Pen and black ink, over traces of graphite, heightened with traces of lead white, on cream wove card · 1875
Art Institute of Chicago
Study for Illustration for Aline, Queen of Golconda
Albert Lynch
Pen and black ink, with brush and black and gray wash, over black chalk, heightened with lead white (discolored), on cream wove card · 1871
Art Institute of Chicago
Study for Illustration for Aline, Queen of Golconda
Albert Lynch
Pen and black ink, with brush and black and gray wash, over black chalk, heightened with lead white (discolored), on cream wove card · 1871
Art Institute of Chicago
Teapot
Mintons Ltd.
Lead-glazed earthenware · 1869
Art Institute of Chicago
The Die, also called the Weight of Passions
Odilon Redon
Graphite with pen and black ink, heightened with white lead (discolored) on cream wove paper · 1867
Art Institute of Chicago
Hercules and the Hydra of Lerna
Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Scene from the Suppression of the Paris Commune in May, 1871
Daniel Urrabieta Vierge
Pen and black ink and brush and gray gouache, with brush and gray wash and graphite, heightened with lead white (discolored), on cream wove paper · 1866
Art Institute of Chicago
Hercules and the Hydra of Lerna
Gustave Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Water Goblet
Christian Dorflinger
Blown lead glass · 1860
The Metropolitan Museum of Art
Running Horse Weather Vane
Alvin L. Jewell
Copper, lead or zinc, and gilding · 1860
Art Institute of Chicago
River and Park Landscape
Henri Rousseau
Pen and black inks and lead white gouache, with graphite on tan wove paper, perimeter mounted on cream card · 1860
Art Institute of Chicago
River and Park Landscape
Henri Rousseau
Pen and black inks and lead white gouache, with graphite on tan wove paper, perimeter mounted on cream card · 1860
Art Institute of Chicago
Heinrich Heine
Heinrich Kautsch
Silvered copper electrotype (galvanotype), lead-filled · 1856
Art Institute of Chicago
Plate
Christian Dorflinger
Blown lead glass · 1853
The Metropolitan Museum of Art
Finger Bowl
Christian Dorflinger
Blown lead glass · 1853
The Metropolitan Museum of Art
Sir Lancelot Approaching the Castle of Astolat
Gustave Doré
Gouache with pen and black ink, heightened with lead white (partially discolored), on cream wove paper prepared with a brown ink ground · 1852
Art Institute of Chicago