Database / Artworks
Artworks
Scene from Roman History
Lambert Lombard
Black chalk, with brush and brown wash, heightened with lead white, on blue wove paper tipped onto ivory laid paper · 1526
Art Institute of Chicago
Abraham Welcoming the Three Angels
Peter Flötner
pencil lead · 1525
National Gallery of Art
Caryatid Facing Right
Pirro Ligorio
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk · 1525
The Metropolitan Museum of Art
Roman Soldiers Arresting Saint Peter (?)
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on blue laid paper · 1525
Art Institute of Chicago
Ariovistus
Peter Flötner
lead (metal) · 1525
Rijksmuseum
Abraham als gastheer van de engelen
Peter Flötner
lead (metal) · 1525
Rijksmuseum
De Bedelaar
Peter Flötner
lead (metal) · 1525
Rijksmuseum
De Zot
Peter Flötner
lead (metal) · 1525
Rijksmuseum
Fragment of a Composition with People Gesturing and Horses in the Background
Perino del Vaga
Pen and brown ink, with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory wove paper · 1521
Art Institute of Chicago
Study for Perseus Liberating Andromeda
Perino del Vaga
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), on tan laid paper, laid down on ivory laid paper · 1521
Art Institute of Chicago
![Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse]](https://api.nga.gov/iiif/d336a8e1-7744-48c7-b386-a44ab9b64359/full/!800,800/0/default.jpg)
Charles V, 1500-1558, King of Spain 1516-1556, Holy Roman Emperor 1519 [obverse]
Albrecht Dürer
lead · 1521
National Gallery of Art
![Coats of Arms around Double-headed Eagle [reverse]](https://api.nga.gov/iiif/14faa1ae-b68d-4299-9b92-a6a85878ab8a/full/!800,800/0/default.jpg)
Coats of Arms around Double-headed Eagle [reverse]
Albrecht Dürer
lead · 1521
National Gallery of Art
Fragment of a Composition with People Gesturing and Horses in the Background
Perino del Vaga
Pen and brown ink, with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory wove paper · 1521
Art Institute of Chicago
Study for Perseus Liberating Andromeda
Perino del Vaga
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), on tan laid paper, laid down on ivory laid paper · 1521
Art Institute of Chicago
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
Laux Kreler, c. 1486-1552, Goldsmith
Hans Kels the younger
lead//Cast hollow · 1520
National Gallery of Art
Design for Panels (Textile?) Decorated with Moresque and Knotwork Ornament
Master F. A.
Pen and brown ink, over leadpoint · 1520
The Metropolitan Museum of Art
Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Vincenzo Tamagni
Pen and brown ink over leadpoint · 1520
The Metropolitan Museum of Art
De vijf gebroeders Pfintzing
Hans Schwarz
casting on lead (metal) · 1519
Rijksmuseum
Desiderius Erasmus of Rotterdam, 1467/1469-1536, Scholar, Theologian, and Satirist
Quentin Massys
lead//Late cast · 1519
National Gallery of Art
Flight of Clelia
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on tan laid paper, laid down on cream wove card · 1519
Art Institute of Chicago
Story of Niobe: Youth with Horse; Worshippers
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper (faded to brown) · 1519
Art Institute of Chicago
Story of Niobe: Worshippers; Latona
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper, laid down on cream wove paper · 1519
Art Institute of Chicago