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Artworks

642 records · Lithograph,
La côu et la pluie, que c'est romantique! Plate 3 from "Inconvénient"
La côu et la pluie, que c'est romantique! Plate 3 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Cruel effets d'une digestion interrompue, Plate 5 from "Inconvénient"
Cruel effets d'une digestion interrompue, Plate 5 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Le courage à l'Epreuve, Plate 10 from "Inconvénient"
Le courage à l'Epreuve, Plate 10 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Plaisantez vois? Nous sommes à jeun depuis avant hier, Plate 4 from "Inconvénient"
Plaisantez vois? Nous sommes à jeun depuis avant hier, Plate 4 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Devouement force, Plate 6 from "Inconvénient"
Devouement force, Plate 6 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Allons! Allons! Il faur partir, Plate 9 from "Inconvénient"
Allons! Allons! Il faur partir, Plate 9 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Comment, j'ai perdue mon ... coin? Plate 1 of "Inconvénient"
Comment, j'ai perdue mon ... coin? Plate 1 of "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Voila ce que c'est que de ne pas se mettre en règle, Plate 8 from "Inconvénient"
Voila ce que c'est que de ne pas se mettre en règle, Plate 8 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Les amusemens des gentile douauiers, Plate 11 from "Inconvénient"
Les amusemens des gentile douauiers, Plate 11 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Pauvre bibi!! J'en mourai ... peut être, Plate 7 from "Inconvénient"
Pauvre bibi!! J'en mourai ... peut être, Plate 7 from "Inconvénient"
Auguste-Xavier Leprince, French
Lithograph, brush and watercolor on paper · 1825
Cooper Hewitt, Smithsonian Design Museum
Lady Elizabeth Herbert
Lady Elizabeth Herbert
Richard James Lane
lithograph, hand colored · 1820
Cleveland Museum of Art
Lady Elizabeth Herbert
Lady Elizabeth Herbert
Richard James Lane
lithograph, hand colored · 1820
Cleveland Museum of Art
Good Man
Good Man
Edmé Jean Pigal
Lithograph, with hand-coloring, on ivory wove paper · 1818
Art Institute of Chicago
Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas
Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas
Jean-Auguste-Dominique Ingres
lithograph, four portraits printed on one sheet · 1815
National Gallery of Art
Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas
Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Glenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas
Jean-Auguste-Dominique Ingres
lithograph, four portraits printed on one sheet · 1815
National Gallery of Art
Mounted Artilleryman Leading Three Horses
Mounted Artilleryman Leading Three Horses
Carle Vernet, French
lithograph, hand colored · 1800
Cleveland Museum of Art
Pleated fan
Pleated fan
Charles Bour, French
costume & accessories, pleated fan — gilded paper leaf with hand-colored lithographs framed by embossed, glazed paper, gilded and painted mother-of-pearl sticks with hand-colored lithograph, mirror with gold frame in guards, white paste jewel rivet head, gilt metal bail, silk tassel with gilt ornaments and glass beads
Cooper Hewitt, Smithsonian Design Museum
Gateway of the Great Teocallis, Uxmal
Gateway of the Great Teocallis, Uxmal
Frederick Catherwood
lithograph, hand colored
Cleveland Museum of Art
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