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Artworks

Second Illustration for Scene 2 (plate facing page 36) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

First Illustration for Scene 2 (plate facing page 26) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

Illustration for Scene 6 (plate facing page 70) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

Illustration for Scene 10 (plate facing page 110) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

First Illustration for Scene 5 (plate facing page 54) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

Second Illustration for Scene 5 (plate facing page 64) from Der Mensch ist kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

Illustration for Scene 1 (plate facing page 8) from Der Mensch is kein Haustier (Man Is Not a Domestic Animal)
Max Beckmann
Lithograph from an illustrated book with seven lithographs and two line block reproductions · 1937
Museum of Modern Art

Bitterness (Verbitterung) (plate 3) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

City Night (Stadtnacht) (plate 2) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

Title page (Titelblatt) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

Suburban Morning (Vorstadtmorgen) (plate 4) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

The Sick One (Die Kranke)(plate 6) fromStadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

Furnished Room (Möbliert) (plate 5) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

Drinking Song (Trinklied) (plate 1) from Stadtnacht (City Night)
Max Beckmann
Lithograph from an illustrated book with seven lithographs · 1921
Museum of Modern Art

She Shows Herself to Him, Dramatic and Grandiose, with Her Hair Like That of a Druidess (Elle se montre à lui, dramatique et grandiose avec sa chevelure de prêtresse druidique) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art

The Wall of His Room Was Opening Up and through the Crack a Death's-Head Was Projected (La Muraille de sa chambre s'entr'ouvrait et de la fente était projetée une tête de mort) (frontispiece) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art

Why Should There Not Exist a World Composed of Invisible, Odd, Fantastic, Embryonic Beings? (Pourquoi n'existerait-il pas un monde composé d'êtres invisibles, bizarres, fantastiques, embryonnaires?) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art

At the Entrance to the Promenades, Where the Trees Intertwine in a Bony Maze of Branches, Smooth and Gaunt, the Specter Is Outlined (A l'entrée des allées, où les arbres entrelacent le dédale ostéologique des branches, glabre et décharné, se dessine le spectre) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art

The Deep Bell of Sainte-Gudule Was Sounding the Hour in the Nearby Belfry (La Cloche grave de Sainte-Gudule battait l'heure dans la tour voisine) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art

A Man of the People, a Savage, Passed beneath the Head of the Horses (Un Homme du peuple, un sauvage, a passé sous la tête des chevaux) (plate) from Le Juré
Odilon Redon
Lithograph from an illustrated book with seven lithographs · 1887
Museum of Modern Art