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Artworks

Woman in Bed, Profile, Awakening (Femme au lit, profil, Au petit lever) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Woman Waking Up in Bed (Femme Couchée, Réveil) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Woman Combing Her Hair (Femme qui se peigne, La coiffure) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Woman at her Toilette, Washing Herself (Femme qui se lave, La toilette) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Reclining Woman, Lassitude (Femme sur le dos, Lassitude) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Woman with Tray, Breakfast (Femme au plateau, Petit déjeuner) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Cover from Elles
Henri de Toulouse-Lautrec
One from a portofolio of twelve lithographs · 1896
Museum of Modern Art

Woman with Hand Mirror (Femme à glace, la glace à main) from Elles
Henri de Toulouse-Lautrec
One from a portfolio of twelve lithographs · 1896
Museum of Modern Art

Frontispiece from Elles
Henri de Toulouse-Lautrec
One from a portofolio of twelve lithographs · 1896
Museum of Modern Art

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) (plate VII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) (plate XIV) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

. . . And Eyes without Heads Were Floating like Mollusks (. . . Et que des yeux sans tête flottait comme des mollusques) (plate XX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

. . .And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse)) (plate I) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) (plate XIII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) (plate XI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
![Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine](/api/images/artworks/moma/e85ce7f8-73c9-4313-b5ff-d70686cb4bf5.jpg)
Helen (Ennoia) (Hélène [Ennoia]) (plate IX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

The Old Woman: What Are You Afraid of? A Wide Black Hole! It Is Empty, Perhaps? (La Vieille: Que crains-tu? Un large trou noir! Il est vide, peut-être?) (plate XVII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) (plate XV) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art

Different Peoples Dwell in the Countries of the Ocean (Des peuples divers habitent les pays de l'océan) (plate XIX) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art