Database / Artworks
Artworks
. . . I Plunged into Solitude. I Dwelt in the Tree behind Me (. . . Je me suis enfoncé dans la solitude. J'habitais l'arbre derrière moi) (plate VIII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) (plate VI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Anthony: What Is the Point of All This? The Devil: There Is No Point! (Antoine: Quel est le but de tout cela? Le Diable: Il n'y a pas de but!) (plate XVI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
. . . The Beasts of the Sea, Round like Leather Bottles (. . . Les Bêtes de la mer rondes comme des outres) (plate XXI) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Saint Anthony: Help Me, O My God! (Saint-Antoine: Au secours mon dieu!) (plate II) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) (plate X) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Forms (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régler les formes) (plate XII) from La Tentation de Saint-Antoine
Odilon Redon
Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates) · 1896
Museum of Modern Art
Program for Smoke then Flame (La Fumée, puis la Flamme) from The Beraldi Album of Theatre Programs
Louis Abel-Truchet
One from an album of 50 lithographs · 1895
Museum of Modern Art
Advertisement for Pan from The Beraldi Album of Theatre Programs
Maxime Dethomas
One from an album of 50 lithographs · 1895
Museum of Modern Art
A Gentleman and a Lady (Un Monsieur et une dame), program for Money (L'Argent) from The Beraldi Album of Theatre Programs
Henri de Toulouse-Lautrec
One from an album of 50 lithographs · 1895
Museum of Modern Art
Program for Brand from The Beraldi Album of Theatre Programs
Maxime Dethomas
One from an album of 50 lithographs · 1895
Museum of Modern Art
Program for an untitled play from The Beraldi Album of Theatre Programs
Joseph Sattler
One from an album of 50 lithographs · 1895
Museum of Modern Art
Program for Thermos Victus or the Marvelous String (Thermos victus ou La Ficelle merveilleuse) from The Beraldi Album of Theatre Programs
Georges de Feure
One from an album of 50 lithographs · 1895
Museum of Modern Art
Program for The Scene (La Scène), Truth in Wine (La Vérité dans le vin), Nickel-plated feet (Les Pieds nickelés) and Interior (Intérieur) from The Beraldi Album of Theatre Programs
Maurice Denis
One from an album of 50 lithographs · 1895
Museum of Modern Art
Petites scènes familières
Pierre Bonnard
Book of musical scores with twenty lithographs (including wrapper front) · 1895
Museum of Modern Art
Mazas
Maximilien Luce
Book containing text and ten lithographs on buff wove paper · 1894
Art Institute of Chicago
Read "La Revue Blanche" Transformed — Beyond Human Power
Édouard Jean Vuillard
Two lithographs in black with scraping on stone on same sheet of tan wove paper · 1894
Art Institute of Chicago
The Amateur Photographer
Henri de Toulouse-Lautrec
Lithographs recto and verso with lettering by the artist and letterpress added, on tan wove paper · 1894
Art Institute of Chicago
Plate (facing page 10) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 2) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Headpiece (page 1) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 4) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 9) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art
Plate (facing page 8) from Mazas
Maximilien Luce
Lithograph from an illustrated book with ten lithographs and a supplementary suite of ten lithographs · 1894
Museum of Modern Art