Database / Artworks
Artworks
Sunday Morning (Dimanche matin) (headpiece, page 32) from Petites scènes familières
Pierre Bonnard
One from a book of musical scores with twenty lithographs (including wrapper front) · 1893
Museum of Modern Art
Rêverie (headpiece, page 26) from Petites scènes familières
Pierre Bonnard
One from a book of musical scores with twenty lithographs (including wrapper front) · 1893
Museum of Modern Art
Dance (Danse) (headpiece, page 28) from Petites scènes familières
Pierre Bonnard
One from a book of musical scores with twenty lithographs (including wrapper front) · 1893
Museum of Modern Art
Fifi's First Song (Premier air de Fifi) (headpiece, page 20) from Petites scènes familières
Pierre Bonnard
One from a book of musical scores with twenty lithographs (including wrapper front) · 1893
Museum of Modern Art
The Donkey Promenade (Promenade à âne) (headpiece, page 22) from Petites scènes familières
Pierre Bonnard
One from a book of musical scores with twenty lithographs (including wrapper front) · 1893
Museum of Modern Art
The Home and Haunts of Shakespeare
James Leon Williams
Illustrated by 15 plates in watercolor (presumably chromolithographs), 45 full page photogravures, and more than 150 letterpress illustrations
"The Weir Brake" Pl. 7
"While Flowing River Yield Such Blameless Sport" Pl. 9
"A Willow Grows Aslant the Brook" Pl. 22
"The Old Footbridge" Pl. 30 · 1892
Art Institute of Chicago
Program for Fossils (Les Fossiles) from The Beraldi Album of Theatre Programs
Henri-Gabriel Ibels
One from an album of 50 lithographs · 1892
Museum of Modern Art
Program for The Grapnel (Le Grappin) and The Emancipated (L'Affranchie) from The Beraldi Album of Theatre Programs
Henri-Gabriel Ibels
One from an album of 50 lithographs · 1892
Museum of Modern Art
Precarious Glimmering, a Head Suspended in Infinity (Lueur précaire, une tête a l'infini suspendue) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
And Beyond, the Astral Idol, the Apotheosis (Et là-bas l'idole astrale, l'apothéose) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
Beneath the Wing of Shadow the Black Creature Was Biting Energetically (Sous l'aile d'ombre, l'être noir appliquait une active morsure) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
Pilgrim of the Sublunary World (Pèlerin du monde sublunaire) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
It Was a Veil, an Imprint (C'était un voile, une empreinte) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
Day (Le Jour) from Dreams (Songes)
Odilon Redon
One from a portfolio of six lithographs on chine appliqué · 1891
Museum of Modern Art
Les Fleurs du Mal
Odilon Redon
portfolio with 9 lithographs · 1890
National Gallery of Art
Paris in Winter (Paris en hiver) program for The Brothers Zemganno (Les Frères Zemganno) and Two Lovebirds (Deux tourtereaux) from The Beraldi Album of Theatre Programs
Henri Rivière
One from an album of 50 lithographs · 1890
Museum of Modern Art
Program for Cadavres from The Beraldi Album of Theatre Programs
Louis Abel-Truchet
One from an album of 50 lithographs · 1890
Museum of Modern Art
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art