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Artworks

72 records · Magazine
Time ("New York Breakdown")
Time ("New York Breakdown")
Robert Heinecken
Photomechanical print on magazine · 1969
Art Institute of Chicago
Water Stop
Water Stop
Robert Rauschenberg
Collage composed of magazine cut-outs · 1968
Art Institute of Chicago
Drizzle
Drizzle
Robert Rauschenberg
Collage composed of magazine cut-out, with black crayon additions tapped to cut paper with black ballpoint pen notations · 1967
Art Institute of Chicago
Costumes of a Woman
Costumes of a Woman
Robert Heinecken
Black-and-white film transparency over magazine-page collage · 1966
Museum of Modern Art
Relating to Dusting Off Roses
Relating to Dusting Off Roses
James Rosenquist
Cut and torn magazine pages · 1965
Art Institute of Chicago
Prototype for Aktuální umĕni no. 2
Prototype for Aktuální umĕni no. 2
Milan Knížák
Artist's magazine · 1965
Museum of Modern Art
Aktuální umĕni no. 2
Aktuální umĕni no. 2
Milan Knížák
Artist's magazine · 1965
Museum of Modern Art
Aktuální umĕni no. 1
Aktuální umĕni no. 1
Milan Knížák
Artist's magazine · 1965
Museum of Modern Art
Look Magazine Empaqueté
Look Magazine Empaqueté
Christo
Multiple of Look magazine over foam, wrapped in polyethylene and cord, on wood support · 1965
Museum of Modern Art
Study for Volunteer
Study for Volunteer
James Rosenquist
Collage composed of cut and pasted papers, magazine cut-outs and Day-glo paper, with graphite and gouache, tipped on ivory wove paper · 1964
Art Institute of Chicago
Head of Girl with Shadows (Study)
Head of Girl with Shadows (Study)
Roy Lichtenstein
Pencil on magazine clipping · 1964
Museum of Modern Art
Invitation to Moi aussi, je me suis demandé si je ne pouvais pas vendre quelque chose et réussir dans la vie..., Galerie Saint Laurent, April 10–25, 1964
Invitation to Moi aussi, je me suis demandé si je ne pouvais pas vendre quelque chose et réussir dans la vie..., Galerie Saint Laurent, April 10–25, 1964
Marcel Broodthaers
Letterpress on magazine page · 1964
Museum of Modern Art
Untitled IV
Untitled IV
Joseph Beuys
Glass, wood, and metal display case containing (left to right): Machine Aggregate (Maschinenaggregat), 1964: poppies, pine needles, machine parts, beeswax plate, shards of mirror, and fat in white tin can; Substances (Substanzen), 1977: eleven samples from Unschlitt/Tallow, 1977, and plastic box with fat; Plastic/Medicinal (Zinc Salve) Containing Blood Sausage (Plastik/Medizinisch [Zinksalbe] behandelte Blutwurst), 1964: blood sausage and zinc salve; Aus dem Maschineneraum (From the Machine Room), 1977-78: multiple of printed paper and can, and glass jar containing fat; Gelatin Wedge/Programmed (Gelatinekeil/Programmiert), 1969: gelatin, chocolate, and paper; Untitled (Beuys Brew) (Ohne Titel [Beuysbräu]), 1970: bottle carrier, eighteen "Dötze bottles," gelatin, glass, and oil paint; Untitled (Ohne Titel), 1973: grass plant (grass flower) and fat; Untitled (Proof for special edition of the magazine Interfunktionen, 61) (Ohne Titel [Klischee für Vorzugsausgabe der Zeitschrift Interfunktionen, Heft 61]), 1961: metal plate and oil paint · 1964
Museum of Modern Art
TICK-TOCK JELLY CLOCK COSMOTRON
TICK-TOCK JELLY CLOCK COSMOTRON
Bruce Conner
Wall component: wood, fabric, cardboard, wallpaper, magazine pages, stickers, string, twine, plastic film, glass fragments, mirror fragments, iron straps, grommets, nails, screws, upholstery tacks, metal foil, aluminum sheet, electrical socket, electrical wiring, rubber hose, beads, costume jewelry parts, sequins, ribbon, nylon stocking, cigarette filter, paint, graphite, bitumen, and resin on pressed hardboard; painted wood frame with mirror segments. Floor component: wood spool, fiberboard cone, paper, paint, monofilament netting, electrical plug, insulated wire, speaker, audio cable, iron wire, rings and clips, paper, yarn, and twine; 1/4 in. reel-to-reel audio tape transferred to digital format. · 1961
Art Institute of Chicago
Untitled
Untitled
Al Held
Oil on thirty double-sided Life magazine pages, bound Life magazine, altered with various paints and collage of torn printed papers, on thirty double-sided pages, bound · 1958
Art Institute of Chicago
Untitled from Folder, Vol. I, No. I
Untitled from Folder, Vol. I, No. I
Grace Hartigan
Screenprint from a magazine with three screenprints · 1953
Museum of Modern Art
Untitled from Folder, Vol. I, No. I
Untitled from Folder, Vol. I, No. I
Grace Hartigan
Screenprint from a magazine with three screenprints · 1953
Museum of Modern Art
Untitled from Folder, Vol. I, No. I
Untitled from Folder, Vol. I, No. I
Grace Hartigan
Screenprint from a magazine with three screenprints · 1953
Museum of Modern Art
Fortune
Fortune
Ladislav Sutnar
Printed magazine cover · 1946
Art Institute of Chicago
View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945)
View: The Modern Magazine Marcel Duchamp Volume (Series V, Number 1, March 1945)
Marcel Duchamp
Letterpress magazine with blue paper front cover, front and back covers by Marcel Duchamp; includes insert and 45 pages offset and letterpress on paper. · 1945
Art Institute of Chicago
Mae West's Face which May be Used as a Surrealist Apartment
Mae West's Face which May be Used as a Surrealist Apartment
Salvador Dalí
Gouache with graphite, on commercially printed magazine page · 1934
Art Institute of Chicago
Plan for Socialist Offensive (Plan sotsialisticheskogo nastupleniia) from 30 dnei (30 days), no. 11
Plan for Socialist Offensive (Plan sotsialisticheskogo nastupleniia) from 30 dnei (30 days), no. 11
Gustav Klutsis
Magazine, letterpress printed · 1929
Museum of Modern Art
Wendingen
Wendingen
El Lissitzky
color lithograph; cover for the illustrated magazine "Wendingen" [plus the 36-page text] · 1921
National Gallery of Art
Carter Manny Papers
Carter Manny Papers
Carter Hugh Manny, Jr.
Correspondence, holograph papers, typed papers, printed papers, photocopies, black and white photographic prints, color photographic prints, color film, brochures, maps, postcards, exhibition catalogues, newspaper and magazine clippings, architectural documents, realia, collage, watercolor sketches, drawings and CD-ROMs. · 1893
Art Institute of Chicago
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