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Artworks

301 records · Mask
Red, Yellow, Blue, Green, Orange
Red, Yellow, Blue, Green, Orange
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
Red, Yellow, Blue, Green, Orange III
Red, Yellow, Blue, Green, Orange III
Ethel Stein
Cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
Red, Yellow, Blue, Green, Orange II
Red, Yellow, Blue, Green, Orange II
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1995
Art Institute of Chicago
The Woods
The Woods
Dianne Shullenberger
Linen, plain weave; appliquéd with cotton, acetate, polyester, and silk, plain, complementary weft plain, twill, satin and satin damask weaves; printed; machine embroidered with cotton and polyester; edged with cotton, satin weave; printed · 1995
Art Institute of Chicago
Untitled from The Tower of Terror Studies
Untitled from The Tower of Terror Studies
Cady Noland
Pencil and masking tape on transparentized paper · 1994
Museum of Modern Art
Whiteness 6
Whiteness 6
Richard Tuttle
Styrofoam, paper, colored pencil, graphite, latex paint, plywood, enamel, nails, cotton cloth, galvanized metal, and masking tape · 1994
Museum of Modern Art
Interior with T'Aime (Study)
Interior with T'Aime (Study)
Roy Lichtenstein
Graphite, colored pencils and masking tape on vellum · 1993
Whitney Museum of American Art
Positive/Negative
Positive/Negative
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1993
Art Institute of Chicago
Fabula
Fabula
Renate Weisz
Cotton, satin damask weave · 1993
Art Institute of Chicago
Blanket (Sample)
Blanket (Sample)
Ben Rose
Wool, 4:1 satin damask weave · 1992
Art Institute of Chicago
White Pinwheel
White Pinwheel
Ethel Stein
cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1990
Art Institute of Chicago
Fauve Decoupage (Dress or Furnishing Fabric)
Fauve Decoupage (Dress or Furnishing Fabric)
Osborne & Little (Firm)
Cotton, satin weave self-patterned by reversing of faces (satin damask) · 1989
Art Institute of Chicago
Indigo 23
Indigo 23
Ethel Stein
Cotton, warp resist dyed (warp ikat) satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1988
Art Institute of Chicago
Autobahn (Sample) (Furnishing Fabric)
Autobahn (Sample) (Furnishing Fabric)
Ben Rose
Cotton, wool and nylon, satin damask weave self-patterned by areas of mixed twill weaves · 1985
Art Institute of Chicago
Studio (Furnishing Fabric)
Studio (Furnishing Fabric)
Ben Rose
Rayon, 4:1 satin damask weave · 1985
Art Institute of Chicago
Indigo 22
Indigo 22
Ethel Stein
Two panels: cotton, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago
Rising Bubbles Falling Squares
Rising Bubbles Falling Squares
Lois Bryant
Rayon, cotton and silk, 3:1 twill damask weave; label; synthetic, plain weave with supplementary patterning warps; woven on computerized loom · 1983
Art Institute of Chicago
Read/Reap
Read/Reap
Bruce Nauman
Colored chalks, pencil, and masking tape on cut-and-pasted papers · 1983
Museum of Modern Art
Panel
Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago
Panel
Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago
Panel
Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago
Panel
Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago
Panel
Panel
Ethel Stein
Silk, satin damask weave; woven on a loom with a drawloom attachment fabricated by the artist · 1982
Art Institute of Chicago
Till Death Us Do Part
Till Death Us Do Part
Theo Eshetu
Two-channel standard-definition video (color, sound; duration variable), twenty monitors, two clay masks, disco lights, and pew · 1982
Museum of Modern Art
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