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Artworks

302 records · Mask
Fragments "China" (No. 7)
Fragments "China" (No. 7)
Edouard Bénédictus
Cotton and rayon, 7:1 satin damask weave with supplementary patterning wefts and self-patterned by weft-float faced 1:15 satin interlacings and areas of paired warp and weft plain weave · 1925
Art Institute of Chicago
Panel
Panel
Henri Stéphany
Cotton and silk, satin weave self patterned by reversing of faces (satin damask) · 1925
Art Institute of Chicago
Fragment "Les Feuilles" (No. 3)
Fragment "Les Feuilles" (No. 3)
Edouard Bénédictus
Cotton and rayon, 7:1 satin damask weave with supplementary patterning wefts and self-patterned by areas of weft-float faced 1:3 'Z' twill weave · 1924
Art Institute of Chicago
Servet van wit linnendamast Volkenbond - Wereldvrede
Servet van wit linnendamast Volkenbond - Wereldvrede
André Vlaanderen
damask on linen (material) · 1919
Rijksmuseum
Panel (Dress Frabric)
Panel (Dress Frabric)
Maurice Dufrêne
Silk and gilt-metal-strip-wrapped cotton, warp-float faced satin weave, self-patterned by reversing of faces (satin damask) · 1915
Art Institute of Chicago
Fabric Sample
Fabric Sample
Richard Riemerschmid
Cotton damask · 1910
Museum of Modern Art
Fabric Sample
Fabric Sample
Richard Riemerschmid
Cotton damask · 1908
Museum of Modern Art
Portière
Portière
George Washington Maher, American
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Portière
Portière
George Washington Maher
Cotton and silk, plain weave with pile warps forming cut solid velvet; appliquéd with silk and cotton, satin damask weave; linen and gilt-strip-wrapped linen satin weave; cotton and silk plain weaves; embroidered with silk, cotton, linen, and gilt-metal-strip-wrapped linen threads · 1901
Art Institute of Chicago
Panel
Panel
Silver Studio
Silk, satin damask patterned by extended plain weave with areas of self-patterning wefts bound in twill interlacings · 1900
Art Institute of Chicago
Flora's Retinue: Pink
Flora's Retinue: Pink
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4&1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Poppy
Flora's Retinue: Poppy
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4&1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Lily
Flora's Retinue: Lily
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Daisy
Flora's Retinue: Daisy
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Rose
Flora's Retinue: Rose
Walter Crane, English
woven textiles, doily — medium: linen warp, silk weft technique: 4 & 1 satin damask · 1891
Cooper Hewitt, Smithsonian Design Museum
Flora's Retinue: Bluebelle
Flora's Retinue: Bluebelle
Walter Crane, English
woven textiles, doily — medium: warp: linen; weft: silk technique: damask, 4 & 1 satin · 1891
Cooper Hewitt, Smithsonian Design Museum
Napkin
Napkin
Walter Crane
Linen, 7:1 satin damask weave; inscription embroidered with cotton in satin stitches · 1890
Art Institute of Chicago
Decorated Wooden Box
Decorated Wooden Box
Paul Gauguin
Stained wood with iron, leather, and inlaid with two netsuke masks · 1884
Art Institute of Chicago
Oak
Oak
William Morris
Silk; damask weave · 1881
Art Institute of Chicago
Woman's Semiformal Domestic Magua (Short Coat)
Woman's Semiformal Domestic Magua (Short Coat)
Manchu
Silk, warp-float faced 7:1 satin damask weave; facings: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; ribbons: silk, plain weave with supplementary patterning warps, one with extended ground weft loop fringe, silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, plain weave with supplementary patterning warps, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; sleeve facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in flat, knot, and Pekinese stitches; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and stem stitches; laid work and couching; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, warp-float faced 3:1 'Z' twill weave self-patterned by areas of plain weave · 1880
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; sleeve facing: silk, 7:1 satin damask weave; embroidered with silk and gilt-metal-strip-wrapped silk in knot, satin, single satin, split, and stem stitches (under drawing in black ink or graphite); edging and cloud collar: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-wrapped silk in satin and stem stitches; laid work and couching; collar: silk, 7:1 satin damask weave; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave and stripes of plain weave with supplementary patterning warps and of silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, stripes of 7:1 satin weave, and stripes of plain weave with supplementary patterning warps; tapes: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing and silk, plain weave with self-patterning main warp floats; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, plain weave · 1875
Art Institute of Chicago
Bridal Long Pao (Dragon Robe)
Bridal Long Pao (Dragon Robe)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'Z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button · 1875
Art Institute of Chicago
Woman's Long Pao (Formal Domestic Robe)
Woman's Long Pao (Formal Domestic Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; trimmed with braid of gilt-metal-strip-wrapped silk, 2:2 twill oblique interlacing; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; body lined with silk, 4:1 satin damask weave; sleeves lined with silk, warp-float faced 7:1 satin weave · 1870
Art Institute of Chicago
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