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Artworks

302 records · Mask
Woman's Majia (Semiformal or Informal Domestic Vest)
Woman's Majia (Semiformal or Informal Domestic Vest)
Manchu
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin, single satin, and stem stitches; laid work and couching; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; facings: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in satin and single satin stitches; laid work and couching; corner cut outs edged with silk, warp-float faced 7:1 satin weave under laid with silk, warp-float faced 3:1 twill weave self-patterned by areas of plain weave; trim and closures: silk, warp-float faced 7:1 satin weave; lined with silk, 3:1, 1:1, 3:1, 1:1... twill weave; metal buttons · 1870
Art Institute of Chicago
Woman's Ao (Short Robe)
Woman's Ao (Short Robe)
Han-Chinese
Silk, 7:1 satin damask weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped wild silk, and gilt-metal-strip-wrapped silk in eyelet, feather, knot, satin, single satin, and stem stitches; laid work and couching; ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, complementary warp 7:1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts; trim and closures: silk, warp-float faced 7:1 and 4:1 satin weaves; lined with silk, plain weave · 1870
Art Institute of Chicago
Hanging
Hanging
Maison Mathevon et Bouvard, French
woven textiles, hanging — medium: silk technique: lampas; 7&1 satin weave supplemented by a 1s2 twill weave (interlaced connection a 2s1 twill). there are two continuous wefts in each shed of the twill: yellow for the background, and red to create the effect of damask. all other colors are brocaded. · 1850
Cooper Hewitt, Smithsonian Design Museum
Empress' Jifu (Semiformal Court Robe)
Empress' Jifu (Semiformal Court Robe)
Manchu
Silk, warp-float faced 2:1 'S' twill weave; embroidered with silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gilt- and silvered-metal-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching; sleeves: silk, weft-float faced 1:5 and warp-float faced 2:1 twill damask weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, plain weave; metal buttons · 1840
Art Institute of Chicago
Woman's Waitao (Semiformal Domestic Surcoat)
Woman's Waitao (Semiformal Domestic Surcoat)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches; sleeve bands: silk, plain weave self-patterned by ground weft floats and areas of 1:1 gauze crossings; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and split stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave with supplementary patterning wefts bound by secondary binding warps and self-patterned by ground weft floats; ribbon: silk and silver-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave with supplementary patterning warps; trim, closures, and ties: silk, warp-float faced 4:1 satin weave; lined with silk, 3:1 twill damask weave; sleeve inner lining: cotton, plain weave · 1820
Art Institute of Chicago
Cushion Cover
Cushion Cover
Manchu
Silk, warp-float faced 7:1 satin weave; appliquéd with silk, warp-float faced 4:1 satin weave over paper and over gold leaf on lacquered paper; two panels joined; edged with four-strand warp twining; lined with silk, 4:1 satin damask weave · 1800
Art Institute of Chicago
Cushion Cover
Cushion Cover
Manchu
Front and sides of irregular chair cushion. Satin stitch, stem stitch, knots and couching on yellow twill ground. Lined with coarse yellow damask. Cloud design. Front and sides of irregular chair cushion. 5 sided, 2 sides scalloped. Satin stitch, stem stitch, knots and couching on yellow twill ground. Center panel: symmetric design of lotus, bats, peonies, peaches, diamond symbols and scrolls on ground of all over blue swa etika altersating with pink quatrefoil in frame of 4 juiheads. Double gold stripe around central panel. Border and edge which covered thickness of cushion: blue scroll meander with peony, lotus, bats and diamonds. Lined with coarse yellow demask. Cloud design. · 1800
Art Institute of Chicago
Emperor's Jifu (Semiformal Court Robe)
Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons · 1790
Art Institute of Chicago
Empress' Jifu (Semiformal Court Robe)
Empress' Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; trimmed with cords of gilt-metal-strip-wrapped silk couched with silk; sleeves: silk, warp-float faced 7:1 satin weave self-patterned by areas of plain weave; edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 'Z' twill interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, 4:1 satin damask weave; cuffs lined with silk, 4:1 satin weave; metal buttons · 1790
Art Institute of Chicago
Quatre Parties du monde
Quatre Parties du monde
Joseph Gaspard Picart
woven textiles, textile — medium: silk technique: damask · 1785
Cooper Hewitt, Smithsonian Design Museum
Vestment (For a First-degree Taoist Priest)
Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave · 1775
Art Institute of Chicago
Panel
Panel
Anna Maria Garthwaite
Silk, satin damask weave · 1754
Art Institute of Chicago
Panel
Panel
Anna Maria Garthwaite
Silk, satin damask weave · 1754
Art Institute of Chicago
Man's Jifu (Semiformal Court Robe)
Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons · 1750
Art Institute of Chicago
Banners (Set of Four)
Banners (Set of Four)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted details; lined with silk, 4:1 satin damask weave; metal fittings · 1750
Art Institute of Chicago
Man's Jifu (Semiformal Court Robe)
Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons · 1750
Art Institute of Chicago
Panel (Former Fragment of Man's Coat)
Panel (Former Fragment of Man's Coat)
Manchu
Center: silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 twill interlacings of secondary binding warp-float faced 7:1 satin weave; lined with silk, 3:1 twill damask weave · 1700
Art Institute of Chicago
Cushion Cover
Cushion Cover
Manchu
Silk, gold-leaf-over-lacquered-paper strips, and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float faced 2:1 'S' twill weave with weft-float faced 1:2 'S' twill interlacings of secondary binding warps and supplementary patterning and brocading wefts; lined with silk, 4:1 satin damask weave · 1700
Art Institute of Chicago
Vajrapani and Garuda
Vajrapani and Garuda
Black
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
Vajrapani and Garuda
Vajrapani and Garuda
Deida Acero
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
Vajrapani and Garuda
Vajrapani and Garuda
Gaultier, Jean-Paul
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
Vajrapani and Garuda
Vajrapani and Garuda
Simone Mirman
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
Vajrapani and Garuda
Vajrapani and Garuda
Balenciaga, Cristóbal
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
Vajrapani and Garuda
Vajrapani and Garuda
Stately
Painting: gum tempera, gold, and silver on silk; lateral borders: silk damask with needleloop embroidery; top and bottom panels: embroidered silk, lead, and silver paper; curtain: silk tabby; dowels: wood, rawhide, and leather · 1340
Cleveland Museum of Art
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