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Artworks

Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago

Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago

Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago

Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago

Flower Vase (one of a pair)
Grieksche A Factory
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago

Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Antonio da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Seated Allegorical Female Figure
Francesco Solimena
Black crayon, with stumping, on tan laid paper, tipped on ivory laid paper, tipped on cream wove paper · 1700
Art Institute of Chicago

Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago

Rider Visiting Farm
Richard John
Pen and black ink, with brush and gray wash, on cream wove paper · 1700
Art Institute of Chicago

Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago

The Nativity
Bartolomeo Biscaino
oil paint · 1700
Art Institute of Chicago

Education of Marie de Medicis
Nicolas Pierre Loir
Pen and brown ink, over traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Antonio Allegri Da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Gleitsmann
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Gleitsmann
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Child's Head (Recto) Nude Male Figure (Verso)
Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago

Portrait of a Man
Charles Claude Dubut
Wax on slate · 1700
Art Institute of Chicago

Portrait of Hyacinthe Rigaud
Pierre Drevet
Engraving on ivory wove paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Anton Raphael Mengs
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Psyche Presenting the Phial of Water to Venus
Raphael Roussel
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago

Conversion of Saint Paul
Raphael Roussel
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago

Four Accomplishments (Kinkishoga 琴棋書画図)
Kanô Tsunenobu
Ink and colors on silk · 1700
Art Institute of Chicago