Artworks

Doug Aitken

Eleven–channel digital video, sound (projected on plasma screens with mirrors); 6:30 min. loop Edition number one of four · 2005

Siah Armajani

Diamond plate aluminum, painted steel, and mirrors stained with translucent color · 1990

Alfredo Jaar

Three silver dye transparencies, three light boxes, gilded frames and mirrors · 1987

Mary Miss

Hinged painted wood and mirrors, one hundred parts · 1986

Richard Artschwager

Synthetic polymer paint and charcoal on board with mirrors · 1981

Virginia Churchill Bath

Linen and rayon, plain weave; pieced and appliquéd with linen, plain and twill weaves; embroidered with wool, linen, and cotton in buttonhole, feather, herringbone, satin, stem and a variety of lace stitches; darned and woven wheels, buttonhole and double buttonhole bars; braid; laid work, couching, and French knots; worked over and embellished by wooden rings and beads, metal rings, washer, and wires, mirrors, cork balls, stones, glass beads, and wooden and plastic strips; backed by cotton and polyester, plain weave; appliquéd with felt · 1970

Robert Smithson

Sixteen mirrors and chalk · 1969

Robert Smithson

Mirrors and coral · 1969

Robert Morris

Felt, asphalt, mirrors, wood, copper tubing, steel cable, and lead · 1968

Robert Smithson

Mirrors on formica-covered base · 1966

Daniel Spoerri

Multiple of two mirrors with found objects in various media · 1964

Gladys Nilsson

Composite object comprised of brush and black acrylic paint on two mirrors, adhered to tan Japanese paper, with brush and watercolor and torn and collaged paper elements, laid down on board, in a brown frame, with aluminum tape elements adhered to the glass · 1962

George Cohen

Framed mirror mounted on painted board, with two oval mirrors, plastic doll's torso, legs and arms, painted doll's eyes with fiber lashes in tin anchovy can, metal hand, nail heads, screw eyes, hooks, string, and cloth · 1953

Hinduism

Cotton foundation, drawn work, silk embroidery, and mirrors · 1850

Paminggir

Six loom widths: four loom widths of: silk, cotton and silver-leaf-over-lacquered-paper-strip wrapped cotton, plain weave with supplementary patterning wefts; embroidered with silk, cotton and gold-leaf-over-lacquered-paper-strip wrapped cotton in back and straight stitches; laidwork and couching; embellished with metal-backed glass mirrors; and two loom widths of cotton, plain weave; embroidered with silk, cotton, gold leaf-over-lacquered-paper-strip wrapped cotton and gold-colored metal strip, in back, double running, split, stem, and surface satin stitches; laidwork and couching; embellished with metal-backed glass mirrors · 1801

Abung

Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching; embellished with metal-backed glass mirrors · 1801

Banjara

Cotton, plain weave; embroidered with chain stitch, cross-stitch, herringbone stitch, and buttonhole stitch with applied mirrors