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Artworks

79 records · Model
Plate O, F.IIII, Rhombentrikontaeder und Ikosaeder (Rhombic Triacontrahedron and Icosahedron), Perspectiva Corporum Regularium (Perspective of the Regular Bodies)
Plate O, F.IIII, Rhombentrikontaeder und Ikosaeder (Rhombic Triacontrahedron and Icosahedron), Perspectiva Corporum Regularium (Perspective of the Regular Bodies)
Wenzel Jamnitzer, German
models and prototypes, print — etching on laid paper · 1568
Cooper Hewitt, Smithsonian Design Museum
Two Cones, plate H. iiii in Persepctiva. Corporum Regularium
Two Cones, plate H. iiii in Persepctiva. Corporum Regularium
Wenzel Jamnitzer, German
models and prototypes, print — engraving on white laid paper · 1568
Cooper Hewitt, Smithsonian Design Museum
Two Rings, plate I. i. in Perspectiva. Corporum Regularium
Two Rings, plate I. i. in Perspectiva. Corporum Regularium
Wenzel Jamnitzer, German
models and prototypes, print — engraving on white laid paper · 1568
Cooper Hewitt, Smithsonian Design Museum
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Two Studies of a Standing Youth in Quattrocento Clothing (recto); a cardinal's hat on a fragmentary coat of arms with a griffin (the arms of the city of Perugia) (verso)
Pietro Perugino
Metalpoint on pinkish prepared paper; retouched by a later hand in pencil, particularly the figure at the right (recto); black chalk, over dots obtained by the pouncing of a model; partly retouched with brush and brown ink (verso) · 1501
The Metropolitan Museum of Art
staircase model
staircase model
Sèvres Porcelain Manufactory, French, established 1756
models and prototypes, decorative arts, staircase model — mahogany, ebony, pear (wood) or sycamore, oak; biscuit porcelain
Cooper Hewitt, Smithsonian Design Museum
staircase model
staircase model
Ugen, French, n.d.
models and prototypes, decorative arts, staircase model — cherry (wood)
Cooper Hewitt, Smithsonian Design Museum
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