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Artworks

98,525 records · Monotype on six sheets · Art Institute Chicago
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur)
Cornelis Dusart
Mezzotint in black on ivory laid paper · 1695
Art Institute of Chicago
Bracket Clock
Bracket Clock
Daniel Quare
Wood, tortoiseshell, brass, silver, and gilt bronze · 1695
Art Institute of Chicago
Salome with the Head of Saint John the Baptist Before Herod
Salome with the Head of Saint John the Baptist Before Herod
Giovanni Antonio Pellegrini
Pen and brown ink, with brush and brown wash, over red chalk, on ivory laid paper, laid down on tan wove paper · 1695
Art Institute of Chicago
Altena Castle, Near Delft, Demolished in 1572
Altena Castle, Near Delft, Demolished in 1572
Abraham Rademaker
Pen and brown ink and brush and pale brown and grayish-brown wash, over graphite, on cream laid paper, edge mounted on cream laid paper · 1695
Art Institute of Chicago
Ruins of the Merwede Manor seen from the Front with Dordrecht in the Background
Ruins of the Merwede Manor seen from the Front with Dordrecht in the Background
Abraham Rademaker
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on card · 1695
Art Institute of Chicago
Portrait of Louis, Grand Dauphin
Portrait of Louis, Grand Dauphin
Charles Boit
Enamel on copper · 1695
Art Institute of Chicago
Arcadian Landscape with Figures
Arcadian Landscape with Figures
Alessandro
Oil on canvas · 1695
Art Institute of Chicago
Adam and Eve in Paradise
Adam and Eve in Paradise
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Portrait of a Girl
Portrait of a Girl
Francesco Solimena
Oil on canvas · 1695
Art Institute of Chicago
Matsukaze, from "Album of Courtesans (Keisei ehon)"
Matsukaze, from "Album of Courtesans (Keisei ehon)"
Torii Kiyonobu I
Woodblock print; single-page illustration from book, sumizuri-e · 1695
Art Institute of Chicago
The Hollow Road
The Hollow Road
Constantinus Cornelis Huysmans
Oil on canvas · 1695
Art Institute of Chicago
The Hurdy-Gurdy Player
The Hurdy-Gurdy Player
Cornelis Dusart
oil paint · 1695
Art Institute of Chicago
The Actor Hanaoka Miyako
The Actor Hanaoka Miyako
Torii Kiyonobu I
Hand-colored woodblock print; hosoban, tan-e · 1695
Art Institute of Chicago
Portrait of Andrew Burnside
Portrait of Andrew Burnside
George Place
1695
Art Institute of Chicago
The Duke of Capodichino
The Duke of Capodichino
Pier Leone Ghezzi
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1694
Art Institute of Chicago
The Duchess of Noia
The Duchess of Noia
Pier Leone Ghezzi
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1694
Art Institute of Chicago
Two Gentlemen in 18th Century Costume
Two Gentlemen in 18th Century Costume
Pier Leone Ghezzi
Pen and reddish-brown ink, over graphite, on cream laid paper · 1694
Art Institute of Chicago
Adoration of the Shepherds
Adoration of the Shepherds
Pier Leone Ghezzi
Black chalk on cream laid paper · 1694
Art Institute of Chicago
Man Sawing Wood
Man Sawing Wood
Pier Leone Ghezzi
Pen and brown ink, with graphite and traces of red chalk, on cream laid paper · 1694
Art Institute of Chicago
The Duke of Capodichino
The Duke of Capodichino
Pier Leone Ghezzi
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1694
Art Institute of Chicago
Kneeling Man Approaching Another Figure
Kneeling Man Approaching Another Figure
Pier Leone Ghezzi
Brush and gray wash, over graphite, on cream laid paper, laid down on ivory laid paper · 1694
Art Institute of Chicago
Pierre Simon, Engraver
Pierre Simon, Engraver
Gérard Edelinck
Engraving on paper · 1694
Art Institute of Chicago
The Duchess of Noia
The Duchess of Noia
Pier Leone Ghezzi
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1694
Art Institute of Chicago
Standing Nude Woman Holding a Veil
Standing Nude Woman Holding a Veil
Pier Leone Ghezzi
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1694
Art Institute of Chicago
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