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Artworks

Les Enfants du limon: Roman (Children of Clay: Novel)
Mary Reynolds
Bound in combination full morocco leather with gold lettering, leather doublure margins; marbled paper end leaves; original covers bound in · 1938
Art Institute of Chicago

Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler
Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels, gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original) · 1785
The Metropolitan Museum of Art

Commode (commode à vantaux) (part of a set)
Adam Weisweiler
Oak veneered with ebony, amaranth, holly, ebonized holly, satinwood, Japanese and French lacquer panels; gilt-bronze mounts, brocatelle marble top (not original); steel springs; morocco leather (not original) · 1785
The Metropolitan Museum of Art

Side chair (one of a set of fourteen)
Robert Adam
Mahogany, covered in modern red morocco leather · 1767
The Metropolitan Museum of Art

Set of fourteen side chairs
Robert Adam
Mahogany, covered in modern red morocco leather · 1767
The Metropolitan Museum of Art

Suite de dessins chinois (Album of Chinoiserie)
Jean-Baptiste Pillement, French
albums (bound) & books, book — gold tooling, morocco leather and marbled paper on boards, ink on paper. · 1759
Cooper Hewitt, Smithsonian Design Museum

The Visitation, from a Book of Hours
Master of the Privileges of Ghent and Flanders
Manuscript with 230 folios, 12 full-page miniatures and other decorations in gold leaf, tempera and colored inks, and littera textualis inscriptions in Latin and French in dark black ink, ruled in red with red rubrics, on parchment, with two parchment fly leaves upper cover, three parchment fly leaves lower cover, sheets with gilded edges, in modern binding of brown morocco leather over wooden boards · 1440
Art Institute of Chicago

The Norman Album
Julia Margaret Cameron
Morocco leather