Database / Artworks
Artworks
Death of Dido
Donato Creti
Pen and brown ink, on ivory laid paper · 1691
Art Institute of Chicago
Village Corners
Jacques Desjardins
Photogravure on modern laid paper · 1691
Art Institute of Chicago
The love story of O-yuri and Ohara Iori (no title)
Torii Kiyomasu I
Woodblock-printed book, sumizuri-e · 1691
Art Institute of Chicago
Woman in Ecstasy, and Putti
Donato Creti
Red chalk on ivory laid paper · 1691
Art Institute of Chicago
Entry of His Majesty William III, King of Great Britain, etc., in Holland; or Detailed Descriptions of Everything Related to His Arrival and Sojourn in the Hague and Elsewhere, as Decorations of Honor Were Erected Everywhere (Komste van Zyne Majesteit Willem III, Koning van Groot Britanje, enz. in Holland; ofte Omstandelyke Beschrijving van Alles, Het Welke op des Zelfs Komste en Geduurende Zyn Verblyf, in 's-Graavenhaage en Elders, ten Teeken van Vreugde en Eere, is Opgerecht en Voorgevallen)
Romeyn de Hooghe
Book with sixteen, eleven folded, engravings with etching and letterpress in black on cream laid paper · 1691
Art Institute of Chicago
Caricature of Canon Sorri
Angelo
Pen and brown ink on buff laid paper, laid down on ivory laid card · 1691
Art Institute of Chicago
Death of Dido
Donato Creti, Italian
Pen and brown ink, on ivory laid paper · 1691
Art Institute of Chicago
Antique Warriors and Mythological Subjects
Donato Creti
Pen and brown ink, with traces of graphite, on 13 sheets of paper laid down on pink tinted laid paper · 1691
Art Institute of Chicago
Antique Warriors and Mythological Subjects
Donato Creti
Pen and brown ink, with traces of graphite, on 13 sheets of paper laid down on pink tinted laid paper · 1691
Art Institute of Chicago
Woman in Ecstasy, and Putti
Donato Creti, Italian
Red chalk on ivory laid paper · 1691
Art Institute of Chicago
Woman in Ecstasy, and Putti
Donato Creti
Red chalk on ivory laid paper · 1691
Art Institute of Chicago
Child's Head
Donato Creti
Red chalk on ivory laid paper · 1691
Art Institute of Chicago
Child's Head
Donato Creti
Red chalk on ivory laid paper · 1691
Art Institute of Chicago
The Nativity
Pier Leone Ghezzi
Etching on ivory laid paper · 1690
Art Institute of Chicago
The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)
Pietro Antonio di Pietri
Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper · 1690
Art Institute of Chicago
Nymphs in a Wooded Grove
Juan Cristobal
Pen and brown ink, with brush and brown wash, on ivory laid paper, tipped on ivory wove paper · 1690
Art Institute of Chicago
Suffer the Little Children
Domenico Piola
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper, laid down on gray board · 1690
Art Institute of Chicago
Jacopo Butera
Francesco Solimena
Oil on canvas · 1690
Art Institute of Chicago
Two Women Resting and Two Satyrs Dancing
Claude Gillot
Pen and brown ink, with traces of brush and brown wash, on buff laid paper, laid down on cream laid card, with blue laid paper border · 1690
Art Institute of Chicago
Sampler
Parnell Mackett
Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690
Art Institute of Chicago
Jacopo Butera
Francesco Solimena
Oil on canvas · 1690
Art Institute of Chicago
Beaker
R.H. Quaytman
Silver · 1690
Art Institute of Chicago
Mercury Entrusting Infant Bacchus to Nymphs
François Boitard
Pen and gray brown ink, with brush and gray wash, with additions of blue and green pastel, on pale green tinted paper · 1690
Art Institute of Chicago
Apotheosis of a Hero
Domenico Mondo
Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper · 1690
Art Institute of Chicago