Database / Artworks
Artworks
Pietà
Joseph Effner, German
Silver · 1680
Art Institute of Chicago
Pietà
Nicolaus-Innocentius-Wilhelm-Clemens van Heideloff, German
Silver · 1680
Art Institute of Chicago
Pietà
Georg Kraudi, German act. Nuremberg
Silver · 1680
Art Institute of Chicago
Pietà
Johann Wolfgang Baumgartner, Austro–German
Silver · 1680
Art Institute of Chicago
Pietà
Emmanuel Eichel, German
Silver · 1680
Art Institute of Chicago
Portrait of a Gentleman
Caspar Netscher
Oil on canvas · 1680
Art Institute of Chicago
Pietà
Gottlieb Menzel, German
Silver · 1680
Art Institute of Chicago
Pietà
Jacob Emanuel Laminit, German
Silver · 1680
Art Institute of Chicago
Pietà
Bruckmann & Sohne, German
Silver · 1680
Art Institute of Chicago
Pietà
Max Krusemark, German
Silver · 1680
Art Institute of Chicago
Adoration of the Shepherds
François Boitard
Pen and black ink on buff laid paper · 1680
Art Institute of Chicago
Pietà
Karl Friedrich Schinkel, German
Silver · 1680
Art Institute of Chicago
Allegory of the Glory of the Dauphin
Antoine Coypel
Etching on cream laid paper · 1680
Art Institute of Chicago
Pietà
Johann Leonhard Eisler, German
Silver · 1680
Art Institute of Chicago
Pietà
F. Ebner, German
Silver · 1680
Art Institute of Chicago
Profile Bust of the Prince of Condé
Antoine Coysevox
Marble · 1680
Art Institute of Chicago
Pietà
Johann Leonhard Appold, German
Silver · 1680
Art Institute of Chicago
Pietà
Nikolaus Gottfried Stuber, German
Silver · 1680
Art Institute of Chicago
Pietà
German Lorca
Silver · 1680
Art Institute of Chicago
Pietà
Johann Baptist Hirschmann, German
Silver · 1680
Art Institute of Chicago
Pietà
Christoph Henrich Kniep, German
Silver · 1680
Art Institute of Chicago
Pietà
Pieter Schenk, German
Silver · 1680
Art Institute of Chicago
Anne Catharine Mouy, Countess of Broglia, as the Goddess Diana
Pieter Schenk, German
Mezzotint on paper · 1680
Art Institute of Chicago
Print Study: Male Nude Kneeling beside a Furnace (Vulcan)
Louis Chéron
Pen and brown ink and brush and gray wash, over graphite underdrawing, on ivory laid paper, with outlines indented for transfer; chalked on verso · 1680
Art Institute of Chicago