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Artworks

237 records · Mylar
Double page plate (folios 3 verso and 4) from Ouzel
Double page plate (folios 3 verso and 4) from Ouzel
Ay-O
Collotype and offset lithograph with crayon additions from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Double page plate (folios 9 verso and 10) from Ouzel
Double page plate (folios 9 verso and 10) from Ouzel
Ay-O
Crayon and pencil drawing from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Double page plate (folios 13 verso and 14) from Ouzel
Double page plate (folios 13 verso and 14) from Ouzel
Ay-O
Collotype and offset lithograph with stamp additions from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Double page plate (folios 9 and 10 verso) from Ouzel
Double page plate (folios 9 and 10 verso) from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Inside wrapper back from Ouzel
Inside wrapper back from Ouzel
Ay-O
Offset lithograph from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Inside folder back from Ouzel
Inside folder back from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Folder front from Ouzel
Folder front from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Folder back from Ouzel
Folder back from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Inside folder front from Ouzel
Inside folder front from Ouzel
Ay-O
Collotype from an illustrated book with eight collotypes (one with embossing and stamp additions), three offset lithographs (one with mylar overlay), two collotype and offset lithographs (one with stamp additions, one with crayon additions), and two drawings · 1971
Museum of Modern Art
Power Now
Power Now
Eiko Ishioka
Offset lithograph on mylar · 1970
Museum of Modern Art
Head
Head
John Brockman
Silk screen on aluminized mylar · 1969
Museum of Modern Art
Untitled, from Hairy Who (color separation)
Untitled, from Hairy Who (color separation)
Art Green
Brush and black ink on mylar, ruled in blue pencil and graphite · 1968
Art Institute of Chicago
Untitled, from Hairy Who (color separation)
Untitled, from Hairy Who (color separation)
Art Green
Brush and black ink with blue pencil and graphite on frosted Mylar · 1968
Art Institute of Chicago
Untitled, from Hairy Who (color separation)
Untitled, from Hairy Who (color separation)
Art Green
Brush and black ink on mylar, ruled in blue pencil and graphite · 1968
Art Institute of Chicago
Untitled, from Hairy Who (color separation)
Untitled, from Hairy Who (color separation)
Art Green
Brush and black ink on mylar, ruled in blue pencil and graphite · 1968
Art Institute of Chicago
Glove from S.M.S. No. 3
Glove from S.M.S. No. 3
Enrico Baj
Multiple of plastic glove in mylar folder · 1968
Museum of Modern Art
Lothar Fischer "Emanationen"
Lothar Fischer "Emanationen"
Lothar Fischer
Silk screen on aluminized mylar · 1968
Museum of Modern Art
For the Pleasures of Fashion (Summer Unit)
For the Pleasures of Fashion (Summer Unit)
Larry Rivers
Etching and aquatint in black and pink, with cutout and collage of Mylar, on ivory wove paper · 1967
Art Institute of Chicago
Come Poze, from The Hairy Who Sideshow (color separations)
Come Poze, from The Hairy Who Sideshow (color separations)
Art Green
Pen and brush and black ink and cut pieces of self-adhesive transfer tone dot film, on two layers of frosted Mylar, taped to card faced with ivory paper, ruled with graphite and blue pencil · 1967
Art Institute of Chicago
Landscape 8, from Ten Landscapes
Landscape 8, from Ten Landscapes
Roy Lichtenstein
Iridescent silver Mylar collage on opaque black Rowlux and gray moiré Rowlux, laid down on four-ply board, tipped onto composition board · 1967
Art Institute of Chicago
Landscape 7, from Ten Landscapes
Landscape 7, from Ten Landscapes
Roy Lichtenstein
Screenprint on four-ply board, with iridescent silver Mylar, tipped onto composition board · 1967
Art Institute of Chicago
Landscape 8 from Ten Landscapes
Landscape 8 from Ten Landscapes
Roy Lichtenstein
Mylar collage on moiré Rowlux from a portfolio of nine screenprints and one collage · 1967
Museum of Modern Art
Every Building on the Sunset Strip
Every Building on the Sunset Strip
Ed Ruscha
Offset photolithographs on paper assembled into 54 accordion-style folded pages; enclosed in a silver Mylar-covered slipcase · 1966
Art Institute of Chicago
Store Front from S.M.S. No. 1
Store Front from S.M.S. No. 1
Christo
Offset lithograph with Mylar collage additions · 1966
Museum of Modern Art
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