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Artworks

98,525 records · Palladium print · Art Institute Chicago
Learning to Use Fire
Learning to Use Fire
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen · 2019
Art Institute of Chicago
Untitled (Nina Challenge #4)
Untitled (Nina Challenge #4)
Amanda Williams
Collage of torn, printed papers on white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Albert Oehlen
Lacquer and oil on Dibond · 2019
Art Institute of Chicago
The Last Cruze
The Last Cruze
LaToya Ruby Frazier
67 Gelatin silver prints, 53 inkjet prints, single-channel video, color, with sound, 58 min. · 2019
Art Institute of Chicago
Lákt (Bentwood Box)
Lákt (Bentwood Box)
James P. Johnson ONN-ISS-KWAH
Yellow and red cedar, and acrylic paint · 2019
Art Institute of Chicago
Tiger Water Maker Jaguar
Tiger Water Maker Jaguar
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
A Selfie with Social Media Influencer James Brown at a Party, from the series "The Royal House of Allure"
A Selfie with Social Media Influencer James Brown at a Party, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Toolkit for La Rentrada
Toolkit for La Rentrada
Maria Elena Pombo
Avocado seeds, avocado seed brick, avocado seed taparita, avocado seed plastic, avocado seed leather, avocado seed glass, avocado seed powder, avocado seed oil, avocado seed water, glycerin, sodium alginate, sargassum algae, tropical pine resin brick, tropical pine resin, and glass containers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Trio (Kinetic) II
Trio (Kinetic) II
Jared Ginsburg
Bamboo, disco ball motors, wood, cable, screws packed in wooden box (wood, felt, metal clasps) · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Study for ‘Medusa’s Flight’
Study for ‘Medusa’s Flight’
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers, with traces of black porous-point pen · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers, with traces of red porous-point pen · 2019
Art Institute of Chicago
In Her Element
In Her Element
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Arash Fewzee Reading 4.2211: Even if the World Is Infinitely Complex, so That Every Fact Consists of Infinitely Many States of Affairs and Every State of Many Objects, There Would Still Have to Be Objects and States of Affairs
Arash Fewzee Reading 4.2211: Even if the World Is Infinitely Complex, so That Every Fact Consists of Infinitely Many States of Affairs and Every State of Many Objects, There Would Still Have to Be Objects and States of Affairs
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
The Last Cruze
The Last Cruze
LaToya Ruby Frazier
67 Gelatin silver prints, 53 inkjet prints, single-channel video, color, with sound, 58 min. · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Bringing in the Ghosts
Bringing in the Ghosts
Jim Hodges
Seventy-nine color lithograph, screen and pigment print, with hand cutting, collage and metallic foils on white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
E1
E1
Channing Hansen
Alpaca, California Variegated Mutant (Hope), California Variegated Mutant (Myth), California Variegated Mutant (Pierson), hybrid California Variegated Mutant/Rambouillet/Cotswold/Border Leicester (Daisy), Lionhead (Beatrix & Derek), Romeldale (January), Romeldale (Renault), and Romney (Obiwan) fibers; Mawata silk and Tussah silk; holographic polymers, pearl dust, and photo-luminescent recycled polyester; banana cellulose, legume cellulose, pineapple fiber, rose cellulose, and Sequoioideae Redwood · 2019
Art Institute of Chicago
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