Database / Artworks
Artworks
The Curving Stair
Gabriel de Saint-Aubin
Black chalk, pen and black and brown ink, watercolor, and touches of gouache, on off-white laid paper · 1778
The Metropolitan Museum of Art
Antiochus I and Stratonice (recto), and Seated Woman (verso)
Gabriel François Doyen
Pen and black and brown ink, over black chalk, on tan laid paper · 1775
Art Institute of Chicago
Juno Comanding the Sun to Set
John Flaxman
Pen and black and brown ink on tan wove paper, laid down on cream wove paper · 1775
Art Institute of Chicago
Classical Subject of Fighting
John Hamilton
Pen and black and brown ink, traces of black chalk · 1760
The Metropolitan Museum of Art
Classical Subject of Fighting
John Hamilton Mortimer
Pen and black and brown ink, traces of black chalk · 1760
The Metropolitan Museum of Art
View of Dordrecht from the River
Jacob van Strij
pen and black and brown ink and brush and black, gray, brown and blue wash, over black chalk; framing lines in brown ink · 1756
Cleveland Museum of Art
Allegory in Honor of King Stanislas Leczynski (recto); Sketch of Standing Man with Outstretched Arms (verso)
Claude Louis Desrais
Pen and black and brown ink, black chalk, and graphite, with brush and brown wash (recto), and black chalk (verso), on ivory laid paper · 1753
Art Institute of Chicago
Democritus and Heraclitus Laughing and Sorrowing over the Follies of the World
Giovanni Battista Tiepolo
Black chalk, with pen and black and brown ink and brush and various brown washes, heightened with white gouache, on cream laid paper · 1742
Art Institute of Chicago
Studies with Central Female Face
John Hamilton Mortimer
pen and black and brown inks over black chalk on laid paper · 1740
National Gallery of Art
South Sea Island
Lorens Gottman
Pen and black and brown ink, with brush and black, brown and pink wash, over traces of black chalk, on cream laid paper, laid down on ivory laid paper · 1728
Art Institute of Chicago
Bird's-Eye View of the City of Casale di Monferrato
Francesco Zucchi
Pen and black and brown ink over red chalk, gray wash · 1725
The Metropolitan Museum of Art
July: Amusements on the Water, (Juillet : les Divertissements sur l’eau)
Claude Simpol
Black chalk, pen and black and brown ink, brush and gray wash, heightened with white gouache · 1695
The Metropolitan Museum of Art
Study for a Ceiling: Allegory of the Harvest with Dionysus and Ceres
Jacob de Wit
pen and black and brown inks with gray and brown washes on laid paper · 1695
National Gallery of Art
A Reconstruction of the Colosseum in Cross-Section
Jan Goeree
Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised · 1690
The Metropolitan Museum of Art
A Recontruction of the So-Called Temple of Serapidis
Jan Goeree
Red chalk, pen and black and brown ink, brush and brown wash, over traces of black chalk · 1690
The Metropolitan Museum of Art
Statue of Osiris in a Garden
Jan Goeree
Pen and black and brown ink, brush and gray wash, over traces of red chalk · 1690
The Metropolitan Museum of Art
A Reconstruction of a Castle on the Viminal Hill at the Esqualine Gate
Jan Goeree
Pen and black and brown ink, brush and gray wash, over red and traces of black chalk · 1690
The Metropolitan Museum of Art
A Reconstruction of the Colosseum in Cross-Section
Jan Goeree
Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised · 1690
The Metropolitan Museum of Art
A Recontruction of the So-Called Temple of Serapidis
Jan Goeree
Red chalk, pen and black and brown ink, brush and brown wash, over traces of black chalk · 1690
The Metropolitan Museum of Art
Statue of Osiris in a Garden
Jan Goeree
Pen and black and brown ink, brush and gray wash, over traces of red chalk · 1690
The Metropolitan Museum of Art
A Reconstruction of a Castle on the Viminal Hill at the Esqualine Gate
Jan Goeree
Pen and black and brown ink, brush and gray wash, over red and traces of black chalk · 1690
The Metropolitan Museum of Art
Design for a Gilt Bronze Ornament
Giovanni Battista Foggini
Pen and black and brown ink, brush and wash, white gouache, graphite on off-white laid paper · 1680
Cooper Hewitt, Smithsonian Design Museum
Hollow Tree, after Roelant Savery
Roelant Savery
pen and black and brown ink, black chalk, and brush and green, brown, and orange wash · 1670
Cleveland Museum of Art
Landscape with Herdsman and Sheep, Goat, Cattle
Johann Heinrich Roos
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1651
Art Institute of Chicago