Database / Artworks
Artworks
Landscape with Herdsman and Sheep, Goat, Cattle
Johann Heinrich Roos
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1651
Art Institute of Chicago
Landscape with Herdsman and Sheep, Goat, Cattle
Johann Heinrich Roos
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1651
Art Institute of Chicago
Landscape with Herdsman and Sheep, Goat, Cattle
Johann Heinrich Roos, German
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1651
Art Institute of Chicago
Landscape with Herdsman and Sheep, Goat, Cattle
Johann Heinrich Roos
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1651
Art Institute of Chicago
King Henry of France and Saint Bernard of Clairvaux
Johann Christoph Lischka
Pen and black and brown ink, with brush and gray wash, over traces of red chalk, on cream laid paper, laid down on ivory laid paper · 1650
Art Institute of Chicago
The Family of Cain
Peter Oliver
Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor) · 1633
The Metropolitan Museum of Art
The Family of Cain
Peter Oliver Foss
Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor) · 1633
The Metropolitan Museum of Art
Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top.
Francesco Fanelli
Pen and black and brown ink, brush and gray wash over traces of graphite, with vertical line in graphite through the center to create the symmetry of the design · 1608
The Metropolitan Museum of Art
Battle Scene
Jan Luyken
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1600
Art Institute of Chicago
Saint Paul Baptizing Dionysus the Areopagite (recto); Sketches of Baby, Hands (verso)
Antonio Marziale Carracci
Pen and black and brown ink, with brush and brown wash, over graphite (recto), and pencil and red chalk (verso), on tan laid paper (pieced) · 1600
Art Institute of Chicago
River with Arched Bridge and Boat
Herman van Swanevelt
Pen and black and brown ink, with brush and gray wash, on ivory laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago
Battle Scene
Jan Luyken, Dutch
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1600
Art Institute of Chicago
River with Arched Bridge and Boat
Herman van Swanevelt, Dutch
Pen and black and brown ink, with brush and gray wash, on ivory laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago
River with Arched Bridge and Boat
Herman van Swanevelt
Pen and black and brown ink, with brush and gray wash, on ivory laid paper, laid down on ivory laid paper · 1600
Art Institute of Chicago
Saint Paul Baptizing Dionysus the Areopagite (recto); Sketches of Baby, Hands (verso)
Antonio Carracci
Pen and black and brown ink, with brush and brown wash, over graphite (recto), and pencil and red chalk (verso), on tan laid paper (pieced) · 1600
Art Institute of Chicago
Battle Scene
Jan Luyken
Pen and black and brown ink, with brush and gray wash, on ivory laid paper · 1600
Art Institute of Chicago
Study for Venice, Crowned by Victory, Receiving Her Subject Peoples
Jacopo Negretti, called Palma Giovane
Pen and black and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on laid paper prepared with orange wash, laid down on tan laid paper · 1578
Art Institute of Chicago
Triton, Nereid, and Putti
Giuseppe Mazzuoli, called Il Bastarolo
Pen and black and brown ink with brush and gray wash, and touches of graphite, on tan laid paper, laid down on ivory laid paper · 1556
Art Institute of Chicago
Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso)
Perino del Vaga
Pen and iron gall ink (recto) and pen and black and brown ink (verso), on ivory laid paper, prepared with a red chalk wash · 1528
Art Institute of Chicago
Studies of Warriors, Horsemen, and Lions (recto); Studies of Heads and Nude Figures, Ceiling Plan, and Inscriptions (verso)
Perino del Vaga
Pen and iron gall ink (recto) and pen and black and brown ink (verso), on ivory laid paper, prepared with a red chalk wash · 1528
Art Institute of Chicago
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Vittore Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Male Head
Michelangelo Buonarroti
Pen and black and brown ink, on cream laid paper, hinged onto cream wove paper · 1495
Art Institute of Chicago