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Artworks

6,079 records · Pen and brown
Old Man
Old Man
Joseph Stella
a. Pen and brown ink on brown paper. b. Crayon and watercolor on brown paper · 1898
Museum of Modern Art
Female Nude with Right Leg Upraised
Female Nude with Right Leg Upraised
Georg Kolbe
Pen and brown ink, and brush and brown wash, on cream wove paper · 1897
Art Institute of Chicago
Female Nude Bending Toward the Left
Female Nude Bending Toward the Left
Georg Kolbe
Pen and brown ink and brush and brown wash on cream wove paper · 1897
Art Institute of Chicago
The Matterhorn Smiles
The Matterhorn Smiles
Emil Nolde
Photomechanical print in color on coated cream bwove card, with inscriptions in pen and blue in(recto) and pen and brown ink (verso); with postal stamps (verso) · 1897
Art Institute of Chicago
Special
Special
Frederick Stuart Church, American
Pen and brown ink on paper · 1897
Cooper Hewitt, Smithsonian Design Museum
Self-Portrait
Self-Portrait
Henri Rousseau
pen and brown ink on brown wove paper · 1895
National Gallery of Art
Sheet of Studies
Sheet of Studies
Henri Cros
Graphite, pen and brown ink, watercolor, and charcoal on paper · 1895
Art Institute of Chicago
Letter to Dr. Dudley Tenney
Letter to Dr. Dudley Tenney
Frederick Stuart Church, American
Pen and brown ink on paper · 1895
Cooper Hewitt, Smithsonian Design Museum
Letter with Drawing of Whistler Menacing Du Maurier
Letter with Drawing of Whistler Menacing Du Maurier
George Du Maurier
Pen and brown ink on blue wove paper, with embossed printing · 1894
Art Institute of Chicago
Groves of Blarney
Groves of Blarney
George Du Maurier
Pen and brown ink over graphite on ivory wove card · 1893
Art Institute of Chicago
Man with an Ax
Man with an Ax
Paul Gauguin
Pen and black ink, and brush and black wash, with pen and brown ink (originally purple) and touches of graphite, on heavily textured ivory wove paper · 1893
Art Institute of Chicago
Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth)
Parau Hina Tefatou (Words between Goddess of the Moon and God of the Earth)
Paul Gauguin
Brush and gray wash and pen and brown ink (originally purple, est.), with black fabricated chalk, on heavily textured ivory wove paper · 1893
Art Institute of Chicago
Pape moe
Pape moe
Paul Gauguin
Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper · 1893
Art Institute of Chicago
Degas (recto); Rodin (verso)
Degas (recto); Rodin (verso)
William Rothenstein
Pen and brown ink (recto and verso) on ivory laid paper (discolored to cream) · 1892
Art Institute of Chicago
Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico
Study for The Cypress Trees of Montezuma, Park of Chapultepec, Mexico
Samuel Colman, American
Recto: Black crayon, pen and brown and black inks, brush and gray watercolor wash on paperboard. Verso: Graphite, pen and brown ink, brush and sepia wash on paperboard. · 1892
Cooper Hewitt, Smithsonian Design Museum
Study of Tree
Study of Tree
Samuel Colman, American
Graphite, pen and brown ink, brush and watercolor wash on cream paper · 1892
Cooper Hewitt, Smithsonian Design Museum
Cypress Trees of Chapultepec, Mexico
Cypress Trees of Chapultepec, Mexico
Samuel Colman, American
Black crayon, pen and brown ink, brush and watercolor on dark-gray colored paper. · 1892
Cooper Hewitt, Smithsonian Design Museum
Head of a Tahitian Woman
Head of a Tahitian Woman
Paul Gauguin
Pen and brush and black ink, with green, blue, yellow and white gouache, over pen and brown ink and touches of graphite, on parchment · 1891
Art Institute of Chicago
Sketch of Maori Woman and Child
Sketch of Maori Woman and Child
Paul Gauguin
Pen and brown ink (originally purple), with touches of graphite on cream wove irregularly shaped paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])
Sketches of Figures, Hands, and Feet (related to the painting Aha oe feii? [What! Are You Jealous?])
Paul Gauguin
Black fabricated chalk with pen and brown ink (originally purple) on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches
Seated Tahitian Women (related to the painting Nafea faa ipoipo [When Will You Marry?]) and Other Sketches
Paul Gauguin
Black fabricated chalk and pen and brown ink (originally purple), with traces of graphite on cream wove paper (removed from a sketchbook) · 1891
Art Institute of Chicago
Man with an Ax
Man with an Ax
Paul Gauguin
Thinned gouache, with pen and black ink, over pen and brown ink, on cream wove paper (discolored to tan), laid down on cream Japanese paper · 1891
Art Institute of Chicago
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Seated Tahitian Woman (recto); Standing Tahitian Woman (verso)
Paul Gauguin
Pen and brown ink (originally purple, est.), with graphite, on cream wove paper (recto); pen and brown ink (originally purple, est.), with traces of graphite, on cream wove paper; removed from a sketchbook and trimmed · 1891
Art Institute of Chicago
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Head of a Tahitian Woman (recto), Sketches of Anatomical Details (verso)
Paul Gauguin
Pen and brown ink (originally purple) (recto); graphite (verso); on cream wove paper, discolored to tan (removed from a sketchbook) · 1891
Art Institute of Chicago
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