Database / Artworks
Artworks
The Hermit; illustration for Oscar Wilde's 'The Teacher of Wisdom'
Charles Ricketts
Pen and brown ink over traces of graphite, on ivory wove paper · 1880
Art Institute of Chicago
Doctor
Thomas Rowlandson
pen and brown ink with watercolor wash · 1880
Cleveland Museum of Art
The Genius of the Sculptor
Auguste Rodin, French
pen and brown ink · 1880
Cleveland Museum of Art
Doctor
Thomas Rowlandson, British
pen and brown ink with watercolor wash · 1880
Cleveland Museum of Art
Farewell Zorns (recto); Farewell Deerings (verso)
Anders Zorn
Pen and brown ink (recto and verso), on ivory laid paper · 1880
Art Institute of Chicago
Cardinal Flower
Samuel Colman, American
Brush and watercolor, pen and brown ink, graphite on cream paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Head of a Woman and Head of a Bearded Man
Édouard Manet
Watercolor with pen and brown ink and graphite on cream wove paper · 1880
Art Institute of Chicago
Oak Wood, Montauk, New York
Samuel Colman, American
Recto and verso: Graphite, pen and brown ink, brush and watercolor and white gouache on gray-green wove paper · 1880
Cooper Hewitt, Smithsonian Design Museum
Corner of a Table
James Ensor
Black chalks and charcoal, with pen and brown ink and touches of incising, on cream wove paper, pieced and laid down on white wove paper · 1880
Art Institute of Chicago
Fishing Scene
Charles Samuel Keene
Pen and brown ink, with brush and brown wash and touches of white gouache, on cream wove paper, laid down on ivory wove card · 1879
Art Institute of Chicago
Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder"
James McNeill Whistler
Brush and brown wash, with pen and brown ink, on off-white laid paper · 1879
Art Institute of Chicago
Study for "The Blue Girl: Portrait of Miss Elinor Leyland"
James McNeill Whistler
Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper · 1879
Art Institute of Chicago
Sketch of a Man with Upraised Arm and Sketch of a Helmet (verso)
Édouard Detaille
pen and brown ink · 1878
Cleveland Museum of Art
En route pour la pêche (Setting Out to Fish)
John Singer Sargent
pen and brown ink over graphite on wove paper · 1878
National Gallery of Art
The Apple Market at Landerneau
Léon Lhermitte
pen and brown ink over tracing in red chalk · 1878
Cleveland Museum of Art
The Apple Market at Landerneau
Léon Augustin L'hermitte, French
pen and brown ink over tracing in red chalk · 1878
Cleveland Museum of Art
Study for Home-Beauty
Kate Greenaway
Pen and brown ink, over traces of graphite, on cream wove paper, laid down on cream wood-pulp laminate board · 1878
Art Institute of Chicago
Head of a Man
Alphonse Legros
Pen and brown ink, over graphite, on ivory wove paper (discolored to cream) · 1877
Art Institute of Chicago
The Potato Harvest
Charles Samuel Keene
Pen and brown ink, with brush and gray wash and white gouache, over black chalk, with touches of graphite, on ivory wove paper, laid down on tan wove card · 1877
Art Institute of Chicago
The Potato Harvest
Charles Samuel Keene
Pen and brown ink, with brush and gray wash and touches of white gouache, over traces of graphite, on tan wove paper, laid down on ivory wove card · 1877
Art Institute of Chicago
The Sights of Dublin
Charles Samuel Keene
Pen and brown ink, with brush and gray wash, over graphite, on cream wove card · 1877
Art Institute of Chicago
Buttercups, Mt. Desert
Samuel Colman, American
Brush and watercolor, pen and brown ink, graphite on cream paper · 1877
Cooper Hewitt, Smithsonian Design Museum
Workers' Daughters on the Outer Boulevard (Illustration for Émile Zola's "L'Assommoir")
Pierre-Auguste Renoir
Pen and brown ink, over black chalk, on ivory laid paper · 1877
Art Institute of Chicago
Trinity Church, Boston (nave) - Mural Study
John La Farge
graphite, pen and brown ink, and brush and brown ink on gray-blue wove paper · 1876
National Gallery of Art