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Artworks

5,131 records · Pen and brown ink
Study for Ventura Mina 11
Study for Ventura Mina 11
Dalton Paula
Pen and brown ink on brown wove paper · 2019
Art Institute of Chicago
Study for Ventura Mina 18
Study for Ventura Mina 18
Dalton Paula
Pen and brown ink and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago
The European Notebook
The European Notebook
Tom Otterness
Pen and brown ink on paper in spiral sketchbook · 1984
Museum of Modern Art
The European Notebook
The European Notebook
Tom Otterness
Pen and brown ink on paper in spiral sketchbook · 1983
Museum of Modern Art
Drawing for Menu
Drawing for Menu
Jack Beal
Pen and brown ink and brown wash, heightened with white gouache, over graphite, on ivory wove paper · 1978
Art Institute of Chicago
Untitled
Untitled
León Ferrari
Colored pencils, with pen and brown ink and graphite, on cream wove paper · 1976
Art Institute of Chicago
Untitled (Table Still Life with Envelopes)
Untitled (Table Still Life with Envelopes)
Saul Steinberg
Collage of commercially printed papers, graphite, crayon, colored pencil, and rubber stamps in various colors, with pen and brown ink and punching, on ivory laid paper · 1975
Art Institute of Chicago
HCE und Familie
HCE und Familie
Fritz Janschka
Watercolor and pen and brown ink, with traces of graphite and colored pencil on cream wove paper bound with full leather, design, tight-back binding, with hand-sewn, multi-color endbands · 1973
Art Institute of Chicago
Untitled (Plank Study)
Untitled (Plank Study)
John McCracken
Pen and brown ink with black ink stamp on ivory wove paper · 1972
Art Institute of Chicago
Proposal for a Wall Piece; Grids
Proposal for a Wall Piece; Grids
Mel Bochner
Graphite and pen and brown ink on ivory wove paper · 1968
Art Institute of Chicago
A la pintura: colophon
A la pintura: colophon
Robert Motherwell
Pen and brown ink on white wove paper · 1968
Art Institute of Chicago
Life Span No. 3, Marilyn Monroe
Life Span No. 3, Marilyn Monroe
Öyvind Fahlström
Pen and black ink with pen and brown ink and watercolor on cream wove paper · 1967
Art Institute of Chicago
Study VI for Richard J. Daley Center Sculpture
Study VI for Richard J. Daley Center Sculpture
Pablo Picasso
Graphite, with traces of pen and brown ink, on ivory wove paper · 1964
Art Institute of Chicago
Abstraction
Abstraction
Stanley William Hayter
Pen and brown ink, black ink splatter, blue and orange crayons, with incising, on ivory wove paper · 1960
Art Institute of Chicago
Sketches of a Horse in Motion
Sketches of a Horse in Motion
Walter Stein
Pen and brown ink on white wove paper · 1950
Art Institute of Chicago
Child and Seeing Hands
Child and Seeing Hands
Hans Bellmer
Pen and brown ink with gouache and watercolor on paper · 1950
Art Institute of Chicago
Seated Woman (recto); Study (verso)
Seated Woman (recto); Study (verso)
Pablo Picasso
Pen and brown ink, with brush and brown wash, and gouache, with touches of wiping (recto), and brush and gray wash, with touches of white-gray gouache and red wash (verso), on off-white white wove paper · 1941
Art Institute of Chicago
Leaf from the Memoirs of an Old Woman
Leaf from the Memoirs of an Old Woman
Paul Klee
Watercolor and pen and brown ink, over graphite, on off-white wove paper, tipped on ivory wove paper · 1939
Art Institute of Chicago
Head of a Woman
Head of a Woman
Hedda Sterne
Pen and brown ink, with pen and black ink and traces of graphite and black crayon, on off-white wove paper · 1936
Art Institute of Chicago
Girl Kneeling Against Tree
Girl Kneeling Against Tree
Pavel Tchelitchew
Pen and brown ink, with brush and brown wash, on ivory wove paper · 1934
Art Institute of Chicago
Drawing for The "Taking" of Madrid in November 1936
Drawing for The "Taking" of Madrid in November 1936
Leopoldo Méndez
Pen and brown ink on tan wove paper · 1933
Art Institute of Chicago
Reclining Male and Female Figures
Reclining Male and Female Figures
William Zorach
Pen and brown ink on cream wove paper · 1930
Art Institute of Chicago
Follows with Concern, As Both are Blind
Follows with Concern, As Both are Blind
Paul Klee
Pen and brown ink on tan laid paper tipped onto tan wove paper. · 1927
Art Institute of Chicago
Untitled
Untitled
André Masson
Collage composed of feathers and cotton, with quill pen and brown ink, and brush and white gouache on tan wove paper · 1925
Art Institute of Chicago
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