Database / Artworks
Artworks
Analysis: Botticelli (recto); Rhythmic Exercise (verso)
Mordechai Ardon
Pen and brown ink (recto and verso), on ivory wove paper, prepared with a white ground · 1922
Art Institute of Chicago
Sketch of Nude Woman and Clothed Man (recto); Partial Sketch of Young Woman (verso)
Augustus Edwin John
Pen and brown ink (recto and verso) on cream laid paper · 1898
Art Institute of Chicago
Degas (recto); Rodin (verso)
William Rothenstein
Pen and brown ink (recto and verso) on ivory laid paper (discolored to cream) · 1892
Art Institute of Chicago
Farewell Zorns (recto); Farewell Deerings (verso)
Anders Zorn
Pen and brown ink (recto and verso), on ivory laid paper · 1880
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
John Everett
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
Millais, Sir John Everett, Bt
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
Sir John Everett Millais
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
John Everett Millais
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)
Henry Fuseli
Pen and brown ink (recto and verso) on ivory laid paper · 1795
Art Institute of Chicago
An Erotic Fantasy
Henry Fuseli
Pen and brown ink (recto and verso) on cream laid paper · 1790
Art Institute of Chicago
Figure Studies (recto and verso)
Henry Fuseli
Pen and brown ink (recto and verso) on cream laid paper · 1790
Art Institute of Chicago
Head of Bearded Old Man (recto); Decorative Sketch of Flower and Leaves (verso)
Jacopo Negretti, called Palma Giovane
Pen and brown ink (recto and verso) on vellum · 1600
Art Institute of Chicago
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Seated Virgin and Child (recto); Seated Virgin and Child (verso)
Bernardino India
Pen and brown ink (recto and verso) on cream laid paper · 1570
Art Institute of Chicago
Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)
Leonardo da Vinci
Pen and brown ink (recto and verso) · 1496
The Metropolitan Museum of Art