Database / Artworks
Artworks
The Infant Hercules Strangling the Serpent
Felice Giani, Italian
figures, drawing — pen and brown ink over traces of black chalk on light blue paper · 1813
Cooper Hewitt, Smithsonian Design Museum
Hercules Hurls Lichas into the Sea
Felice Giani, Italian
figures, drawing — pen and brown ink over traces of black chalk on light blue paper · 1813
Cooper Hewitt, Smithsonian Design Museum
Designs for a Picture Frame
Gilles-Marie Oppenord
Pen and brown ink over traces of black chalk · 1730
The Metropolitan Museum of Art
Designs for a Picture Frame
Gilles-Marie Oppenord, French
Pen and brown ink over traces of black chalk · 1730
The Metropolitan Museum of Art
Saint Luke Painting the Madonna and Child
François Le Moyne
Pen and brown ink over traces of black chalk on cream laid paper · 1708
Art Institute of Chicago
River Landscape with View of St. Peter's Basilica
Giovanni Francesco Grimaldi, Italian
pen and brown ink over traces of black chalk; framing lines in graphite · 1660
Cleveland Museum of Art
River Landscape with View of St. Peter's Basilica
Giovanni Francesco Grimaldi
pen and brown ink over traces of black chalk; framing lines in graphite · 1660
Cleveland Museum of Art
River Landscape with View of St. Peter's Basilica
Giovanni Francesco Grimaldi
pen and brown ink over traces of black chalk; framing lines in graphite · 1660
Cleveland Museum of Art
Landscape with a River and Aqueduct
Giovanni Francesco Grimaldi, Italian
pen and brown ink over traces of black chalk · 1625
Cleveland Museum of Art
Landscape with a River and Aqueduct
Giovanni Francesco Grimaldi
pen and brown ink over traces of black chalk · 1625
Cleveland Museum of Art
Landscape with a River and Aqueduct
Giovanni Francesco Grimaldi
pen and brown ink over traces of black chalk · 1625
Cleveland Museum of Art
River God with an Eagle
Jan Lievens
pen and brown ink over traces of black chalk on laid paper · 1607
National Gallery of Art
Standing Putto Seen From the Back
Bartolomeo Passarotti
Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid paper · 1570
Art Institute of Chicago
The Parable of the Beam and the Mote
Netherlandish
Pen and brown ink over traces of black chalk; original borderlines at left and right edges. · 1517
The Metropolitan Museum of Art
Three Male Heads
Baccio Bandinelli, Italian
Pen and brown ink over traces of black chalk · 1493
The Metropolitan Museum of Art
Three Male Heads
Baccio Bandinelli
Pen and brown ink over traces of black chalk · 1493
The Metropolitan Museum of Art
Studies after the Antique: The Fall of Phaëthon, Horses, Reclining Women with Children (recto); Studies after the Antique: An Altar or Urn, Lion Attacking a Horse (verso)
Amico Aspertini
Black chalk, pen and brown ink (recto); pen and brown ink over traces of black chalk (verso) · 1474
The Metropolitan Museum of Art