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Artworks

Err (plate 9) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Indiana
Photogravure and etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art

Untitled (plate 17) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Wayne Thiebaud
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1963
Museum of Modern Art

Orpheum Sign (plate 13) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Claes Oldenburg
Etching and aquatint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Untitled (plate 15) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
George Segal
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Corner Brace (plate 3) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Jim Dine
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

American Madonna (plate 2) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Allan D'Arcangelo
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Untitled (plate 19) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Robert Watts
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
James Rosenquist
Photograuvre and etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Untitled (plate 12) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Boris Lurie
Etching and drypoint from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

On (plate 11) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Roy Lichtenstein
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Cooking Pot (plate 18) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Andy Warhol
Relief halftone from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Untitled (plate 8) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Red Grooms
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1962
Museum of Modern Art

Untitled (plate 7) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)
Sam Goodman
Etching from an album of 16 etchings (one with aquatint, one with drypoint, one with pencil additions), three photogravures (two with etching), and one relief halftone · 1961
Museum of Modern Art

Písmo a fotografie v reklame (Lettering and Photography in Advertising)
Zdenek Rossman
Book with photogravures · 1938
Art Institute of Chicago

Walt Whitman in Camden
Christopher Morley
Book with slip case; two photogravures · 1938
Art Institute of Chicago

Zahrada a obydlí (Garden and House)
Ladislav Sutnar
Photolithography and photogravures with two-color photomontage wrapper · 1938
Art Institute of Chicago

Fotografie vidí povrch (Photography Sees the Surface)
Ladislav Sutnar
Book with photogravures and two-color photomontage wrappers · 1935
Art Institute of Chicago

Decorative Photo-Micrographs
Laure Albin-Guillot
20 photogravures, 8 on metallic paper · 1931
Museum of Modern Art

Maison Près de la Second Plage (plate, page 61) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art

Maison Modern-Style (Figueras) (plate, page 69) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art

Dormeuse, Cheval, Lion, etc.... Invisibles (plate, page 13) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art

Groupe Allégorique (plate, page 27) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art

La Chasse aux Papillons (plate, page 53) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art

Frontspiece (plate, page 6) from La Femme Visible (The Visible Woman)
Salvador Dalí
Photogravure with engraving from an illustrated book with eight photogravures (one with engraving) · 1930
Museum of Modern Art