Database / Artworks
Artworks
Tall-Case Clock
George Stevens
Japanned pine · 1765
Art Institute of Chicago
Side Chair
John Townsend
Mahogany, maple, chestnut, white pine · 1760
The Metropolitan Museum of Art
Chest of Drawers
John Cogswell
Mahogany with white pine · 1760
Art Institute of Chicago
Pair of tripod candlestands or torchères
Thomas Chippendale
Carved and gilded wood (pine?) · 1755
The Metropolitan Museum of Art
Pair of tripod candlestands or torchères
Thomas Chippendale
Carved and gilded wood (pine?) · 1755
The Metropolitan Museum of Art
High Chest of Drawers
John Goddard
Mahogany with chestnut and white pine · 1755
Art Institute of Chicago
Bureau
Valentini Workshop
Walnut, ebonized walnut, pine, and brass · 1755
Art Institute of Chicago
Doorcase for the Great Drawing Room of Norfolk House, Saint James's Square, London
Giovanni Battista Borra
Mahogany and pine (carved, originally painted and gilded) · 1750
The Metropolitan Museum of Art
Tall Case Clock
Thomas Hughes
Mahogany and New England white pine · 1750
Art Institute of Chicago
Writing Desk
Jacques Dubois
Oak, pine, mahogany, kingwood, gesso, paint, gilding, varnish, gilded bronze, leather, pewter, and iron · 1745
Art Institute of Chicago
Wall Clock
Thomas Johnson
Pine, carved, gessoed, and gilded; enamel, brass, and glass · 1745
Art Institute of Chicago
Pair of tripod candlestands (torchères)
François de Cuvilliés the Younger
Carved and gilded pine · 1735
The Metropolitan Museum of Art
Chest with drawer
Robert Crosman
Painted white pine, white cedar · 1735
The Metropolitan Museum of Art
Pair of tripod candlestands (torchères)
François de Cuvilliés
Carved and gilded pine · 1735
The Metropolitan Museum of Art
Secretary Cabinet
John Kirkhoffer
Walnut, holly, oak, pine, gesso, gilding, mirror glass, brass, and iron · 1732
Art Institute of Chicago
Slab or Side Table
Kent Williams
Painted pine with original Sienna marble top; carved with dolphins, shellwork, and scrolls · 1730
Art Institute of Chicago
Slab or Side Table
Daniel William Kent
Painted pine with original Sienna marble top; carved with dolphins, shellwork, and scrolls · 1730
Art Institute of Chicago
Bureau Secretary
Giles Grendey
Oak, pine, walnut, paint, gilding, silvering, gesso, varnish, mirror glass, leather, brass, and iron · 1730
Art Institute of Chicago
Bureau Secretary
Giles Grendey
Oak, pine, walnut, paint, gilding, silvering, gesso, varnish, mirror glass, leather, brass, and iron · 1730
Art Institute of Chicago
Chest-Over-Drawer
Robert Crosman
White pine, iron, brass, and paint · 1725
Art Institute of Chicago
Console clock (Pendule a console)
Champion
gild on pine (wood), brass (alloy), bronze (metal), wood (plant material), tortoise shell · 1715
Rijksmuseum
Box
John Thurston
White oak, red oak, yellow pine · 1660
The Metropolitan Museum of Art
Double Virginal
Hans Rucker
Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass · 1550
The Metropolitan Museum of Art
The Apostles' Creed (Das Symbolum der Heiligen Aposteln)
Lucas Cranach the Elder
Book with fifteen woodcuts with letterpress in black on cream laid paper, in eighteenth-century full brown sheepskin, sewn on raised bands, with gold tooled decoration on inner-edges of boards, blind lines and gold titling on the spine, hand-sewn silk headbands, marbled endsheets, and a purple silk page marker · 1548
Art Institute of Chicago